How to Extend “Magic Hour” on Motion Picture Film
Every filmmaker loves "Magic Hour." That fleeting window just after sunset provides the most flattering, ethereal light known to cinema. But when you are shooting on film, this time of day is terrifying. As the sun dips below the horizon, your light levels plummet by the second. On a digital camera,…
The Indie Film Guide to Short Ends & Recans
Shooting film remains the holy grail for many independent filmmakers — a medium that imparts a texture, depth, and discipline that digital sensors struggle to replicate. But the barrier to entry is often a single, daunting number: the price per foot.
When a 400-foot roll of fresh 16mm stock costs…

Motion Picture Film For Beginners
In 1888, photography underwent a revolutionary transformation. American entrepreneur George Eastman introduced flexible celluloid film, replacing the heavy, fragile glass plates that had dominated the art form for decades. This innovation was a transparent, flexible base coated with a light-sensitive…

The Cinematography of Wake Up Dead Man
In modern cinematography, there is a pervasive tendency to attribute the "look" of a film to the tools used to capture it. We talk about the "color science" of a specific camera brand or the "magic" of a specific film stock as if they are ingredients that simply need to be bought and mixed.
Steve…

The “Tony Scott” Look: ND & Color Grads
In the digital age, we have become accustomed to fixing exposure problems in the color grading suite. If a sky is too bright, we simply draw a Power Window, track it, and bring down the highlights.
But when you are shooting on film — or even pushing a digital sensor to its limits in a backlit scenario…

Super 8 Film vs. 16mm Film vs. 35mm Film
In the digital world, we often talk about sensors in terms of technical specs: resolution, dynamic range, and low-light sensitivity. But when you shoot on celluloid, you are selecting a capture format as much as you are selecting a personality. The gauge you choose — Super 8, 16mm, or 35mm — acts…

Exposing Film in Harsh Sunlight Backlit Scenes
When shooting on film, you don't have the luxury of a high-resolution monitor or waveform to check your exposure. You have your meter, your eye, and your knowledge of the craft. One of the most beautiful yet challenging lighting scenarios is the classic backlit sun shot. It creates separation, a stunning…

Exposing Film Stocks: 16mm Film & 35mm Film
In an age dominated by digital "fixes," false color overlays, and the ability to change ISO with the scroll of a wheel, the true, hands-on craft of exposing celluloid has become a rare and vital skill. We see the "film look" imitated everywhere. Grain overlays, halation plugins, and LUTs designed to…

Why We Still Shoot Film in the Digital Age
In an industry obsessed with the latest sensors, 8K resolution, and AI-driven workflows, a quiet but powerful movement is growing. It's a return to the chemical, the tactile, and the analog. Filmmakers, from studio auteurs like Christopher Nolan to independent visionaries, are increasingly choosing to…

2025’s Standout Movies Shot on Film
For the first time in the digital era, 2025 has proven to be a year of resurgence for the organic, unpredictable, and deeply human texture of celluloid. The numbers tell the story. Kodak surges in 2025, selling as much film since 2014 when motion picture film took a downturn due to the digital revolution.…

Film is Back. Are You Ready? Exposing Motion Picture Film
In an age of digital "fixes," LUT packs, and false color, the true, hands-on craft of exposing celluloid has become a rare and vital skill. We see the "film look" imitated everywhere, but how many filmmakers truly understand the alchemy that creates it?
Film is making a comeback. From the IMAX spectacle…

The Rosco Opti-Sculpt Technique: Cinematic Light Quality
It’s a classic, high-stakes problem.
You’re on set, trying to light a large interior. The director wants to see the bright, beautiful exterior through the windows, but the room itself is falling into shadow. You know you need a massive amount of power to balance that interior exposure with the…

Cinematographer’s Tip: Cinematic Moonlight Placement
We've all seen night exteriors that feel flat, overlit, or just plain wrong. Of all the lighting scenarios a cinematographer faces, "how to light the night" is one of the biggest challenges. It's an art form that requires balancing technical skill with a strong creative vision. Where you place your moonlight…

Is AI Coming for Your Job? Shane Hurlbut & Oren Soffer Have Answers
Is AI coming for your job? Is that new 12K camera really going to make your film better?
In our industry, it’s easy to feel overwhelmed. There's a "sensory overload" of new gear dropping every six months and a looming anxiety about what Artificial Intelligence means for creatives. It’s easy to…

A Cinematographer’s Guide to Cinematic Moonlight
Moonlight in cinema is a beautiful lie. We've all seen it: a lonely character bathed in a soft, blue-silver glow; lovers meeting under a luminous, romantic sky; a monster emerging from the stark, hard shadows of a full moon. These iconic images feel emotionally true, yet they bear little resemblance…

Cinematography Tip: Softening Digital Sharpness with Diffusion Filters
Modern digital cinema cameras are technical marvels, capable of capturing images with incredible sharpness and resolution. But sometimes, that technical perfection can be a double-edged sword, resulting in a look that feels too harsh, too clinical—too "digital." So, how do you take that pristine sharpness…
Camera Test: URSA Cine 12K vs ARRI vs Sony vs RED
In today's filmmaking landscape, filmmakers face an overwhelming number of options. Every new cinema camera promises to be a game-changer, boasting incredible specs, higher resolutions, and wider dynamic ranges. But beyond the marketing hype and online debates, one fundamental question remains for every…

Diffusion Filters: Night Fog vs. Black Fog vs. Soft Glow
In cinematography, the final 10% of effort is what separates a good image from a truly great one. Filtration is a huge part of that final polish. The right diffusion filter can subtly alter contrast, bloom highlights, and soften skin tones, adding a layer of texture and emotion that a clean lens alone…

Cinematography Tip: Are LED Lights Replacing HMIs?
For over a decade, one light has been the gold standard on my sets for punching through windows or bouncing into massive frames: the ARRI M90. This HMI has been a powerful workhorse, a tool that expanded my creativity and could beautifully replicate the sun. It was an oldie, but a goodie. But as filmmakers,…

Master On-Set Power: A Filmmaker’s Guide to the CinePower Calculator
The scene’s set, the talent’s ready, the light’s golden… and then the last charged battery runs out. Nearly everyone has one of these nightmares at least once—either while sleeping, or actually on set. On a fast-paced New York City run-and-gun shoot, a sudden power issue can be a massive blunder,…