Every filmmaker loves “Magic Hour.” That fleeting window just after sunset provides the most flattering, ethereal light known to cinema. But when you are shooting on film, this time of day is terrifying. As the sun dips below the horizon, your light levels plummet by the second. On a digital camera, you might just crank […]
Tag Archive for: Shane Hurlbut ASC
In the digital age, we have become accustomed to fixing exposure problems in the color grading suite. If a sky is too bright, we simply draw a Power Window, track it, and bring down the highlights. But when you are shooting on film — or even pushing a digital sensor to its limits in a […]
When shooting on film, you don’t have the luxury of a high-resolution monitor or waveform to check your exposure. You have your meter, your eye, and your knowledge of the craft. One of the most beautiful yet challenging lighting scenarios is the classic backlit sun shot. It creates separation, a stunning hair light, and a […]
In an age dominated by digital “fixes,” false color overlays, and the ability to change ISO with the scroll of a wheel, the true, hands-on craft of exposing celluloid has become a rare and vital skill. We see the “film look” imitated everywhere. Grain overlays, halation plugins, and LUTs designed to mimic Kodak Vision3. But […]
In an industry obsessed with the latest sensors, 8K resolution, and AI-driven workflows, a quiet but powerful movement is growing. It’s a return to the chemical, the tactile, and the analog. Filmmakers, from studio auteurs like Christopher Nolan to independent visionaries, are increasingly choosing to shoot on motion picture film. Why? In 2025, when digital […]
In an age of digital “fixes,” LUT packs, and false color, the true, hands-on craft of exposing celluloid has become a rare and vital skill. We see the “film look” imitated everywhere, but how many filmmakers truly understand the alchemy that creates it? Film is making a comeback. From the IMAX spectacle of Oppenheimer to […]
We’ve all seen night exteriors that feel flat, overlit, or just plain wrong. Of all the lighting scenarios a cinematographer faces, “how to light the night” is one of the biggest challenges. It’s an art form that requires balancing technical skill with a strong creative vision. Where you place your moonlight is arguably the most […]
Modern digital cinema cameras are technical marvels, capable of capturing images with incredible sharpness and resolution. But sometimes, that technical perfection can be a double-edged sword, resulting in a look that feels too harsh, too clinical—too “digital.” So, how do you take that pristine sharpness and shape it into something more organic, more cinematic, and […]
In today’s filmmaking landscape, filmmakers face an overwhelming number of options. Every new cinema camera promises to be a game-changer, boasting incredible specs, higher resolutions, and wider dynamic ranges. But beyond the marketing hype and online debates, one fundamental question remains for every cinematographer, director, and producer: How does the camera actually see the world? […]
For over a decade, one light has been the gold standard on my sets for punching through windows or bouncing into massive frames: the ARRI M90. This HMI has been a powerful workhorse, a tool that expanded my creativity and could beautifully replicate the sun. It was an oldie, but a goodie. But as filmmakers, […]
As a cinematographer, your job extends far beyond simply capturing a well-exposed image. You are a visual psychologist, tasked with translating the complex inner worlds of characters into a language of light, shadow, and movement. Every choice you make—from lens selection and camera placement to the subtle nuances of camera motion—should serve the emotional core […]
On a film set, the generator is the beating heart of the production, providing the essential power that brings every light to life. But simply plugging in lights isn’t enough. A professional gaffer’s most critical and often unseen task is balancing the generator’s load—a crucial process that ensures safety, efficiency, and the stable operation of […]
“I don’t have 18Ks. I don’t have M40s. How can I create cinematic lighting?” It’s one of the most common challenges filmmakers face. The great news is that powerful storytelling isn’t always about having the biggest lights. It’s about creatively shaping the light you already have. In this exclusive lesson excerpt, we provide a detailed […]
“I want to be a filmmaker. Where do I start? What camera should I use?” This is one of the most common questions cinematographers like Shane Hurlbut, ASC, get from aspiring storytellers. His answer is often surprising: start with the powerful cinema camera already in your pocket. Modern smartphones, especially the iPhone, have incredible imaging […]
As filmmakers, we are constantly in a dance with light. We shape it, diffuse it, flag it, and bounce it. While powerful lights create our key, the subtle art of the bounce is often what brings an image to life, especially when working with actors in challenging lighting conditions. How do you fill in shadows […]
What’s the deal with Streaks ‘N Tips as a lighting technique? Well, as cinematographers, we’re constantly battling and embracing light. Practical light sources — those lamps, bulbs, and fixtures that exist within your scene — can add immense realism and atmosphere. But they can also be unruly, creating unwanted lens flares or spilling light where […]
Practical lights — those lamps, fixtures, and light sources visible within your frame — are the unsung heroes of cinematic realism. From table lights and barrel shades to goosenecks and bare bulbs, these elements, often provided by the Set Decoration department, are crucial for grounding your scene in reality and establishing mood. However, as any […]
We’ve explored the build, specs, features, and controls of the Blackmagic URSA Cine 12K LF in the previous parts of our deep-dive demonstration. (Check out Parts 1, 2 & 3…) Now, we arrive at the crucial test: How does this camera really handle light? In this final segment, Shane Hurlbut, ASC, and senior colorist Dave […]
Having examined the core specs and put the sensor through its paces in Part 2, Shane Hurlbut, ASC, and Blackmagic’s Tor Johansen now turn their attention to the practical realities of using the URSA Cine 12K LF on a professional set. How easy is it to control? How does it handle? What are its capabilities […]
Welcome back to our deep dive into the Blackmagic URSA Cine 12K LF! In Part 1, we covered the first impressions – the build, media, and foundational tech. Now, we get to the heart of what truly matters for cinematographers: the image itself. How does this camera render skin tones? How does it handle different […]