Shooting film remains the holy grail for many independent filmmakers — a medium that imparts a texture, depth, and discipline that digital sensors struggle to replicate. But the barrier to entry is often a single, daunting number: the price per foot. When a 400-foot roll of fresh 16mm stock costs upwards of $200 (yielding only […]
Tag Archive for: 16mm Film
In the digital world, we often talk about sensors in terms of technical specs: resolution, dynamic range, and low-light sensitivity. But when you shoot on celluloid, you are selecting a capture format as much as you are selecting a personality. The gauge you choose — Super 8, 16mm, or 35mm — acts as a subconscious […]
In an age dominated by digital “fixes,” false color overlays, and the ability to change ISO with the scroll of a wheel, the true, hands-on craft of exposing celluloid has become a rare and vital skill. We see the “film look” imitated everywhere. Grain overlays, halation plugins, and LUTs designed to mimic Kodak Vision3. But […]
In an industry obsessed with the latest sensors, 8K resolution, and AI-driven workflows, a quiet but powerful movement is growing. It’s a return to the chemical, the tactile, and the analog. Filmmakers, from studio auteurs like Christopher Nolan to independent visionaries, are increasingly choosing to shoot on motion picture film. Why? In 2025, when digital […]
For the first time in the digital era, 2025 has proven to be a year of resurgence for the organic, unpredictable, and deeply human texture of celluloid. The numbers tell the story. Kodak surges in 2025, selling as much film since 2014 when motion picture film took a downturn due to the digital revolution. The […]
In an age of digital “fixes,” LUT packs, and false color, the true, hands-on craft of exposing celluloid has become a rare and vital skill. We see the “film look” imitated everywhere, but how many filmmakers truly understand the alchemy that creates it? Film is making a comeback. From the IMAX spectacle of Oppenheimer to […]