Best Holiday Gift Guide for Filmmakers 2025
It’s the most wonderful time of the year — for savings! Maybe you’ve had a ‘dream gear’ wishlist sitting in a browser tab for three months, just… waiting. Or, perhaps you’re trying to find the perfect gift for a creative in your life.
The wait is over.
This is the Filmmakers Academy 2025 Best Holiday Deals Guide! Black Friday, Cyber Week, and the best holiday sales are finally here, and we are ona mission to find you the only deals that actually matter.
We’re cutting through the noise to bring you a hand-picked, no-fluff list of game-changing cameras, stunning glass, and the must-have accessories you need to prep for your 2026 projects.
Whether you’re finally treating yourself to the upgrade you’ve earned or finding the perfect gift for your favorite collaborator, this is your definitive guide. Let’s get to the good stuff.
| *PRO TIP: Bookmark this page so you can return to it throughout the holiday season! |
*Note: Filmmakers Academy only partners with brands and products we genuinely trust. That’s why you’ll see us working with reliable industry leaders like B&H and FilmTools. We take part in their affiliate programs, which means if you make a purchase through our links, we may earn a small commission at no additional cost to you. Thank you for your support!
Holiday Gift Guide for Filmmaker Gifts:
- Lighting Deals SEE SECTION
- Filmmaking Resources SEE SECTION
- Headsets & Microphones SEE SECTION
- Camera Deals SEE SECTION
- Monitor Deals SEE SECTION
- Tripod Deals SEE SECTION
- Camera Lens Deals SEE SECTION
- Grip Deals SEE SECTION
- Gimbal Deals SEE SECTION
- Additional Filmmaking Gear Deals SEE SECTION
2025 LIGHTING DEALS:
Lighting is the single most powerful tool for elevating your filmmaking, and this holiday, the deals are too good to ignore. We’ve tracked down huge discounts on everything from high-CRI LED key lights to portable RGB panels and versatile tube lights (like those from Nanlite) to create stunning cinematic effects. With sales ranging from complete 3-point starter kits to professional fixtures for seasoned pros, it’s time to stop fighting with weak, inaccurate lights and finally grab the gear that gives you total control.
NANLUX EVOKE 900C RGB LED SPOT LIGHT (FRESNEL LENS TRAVEL KIT)
| Pros: Massive 940W output with a 6-color RGBLAC mixing engine for superior color accuracy; incredible 1800-20,000K CCT range; includes the essential Fresnel lens and a rolling flight case. |
| Cons: This is a heavy-duty unit; at this price, availability is listed as “Special Order” with a 2-4 week lead time (but well worth the wait). |
| Standout Feature: The RGBLAC engine. By adding Lime, Amber, and Cyan beads to the standard RGB mix, Nanlux achieves a CRI/TLCI of 96 and creates a much fuller color spectrum, ensuring skin tones look natural even when mixing complex colors. |
This might be the single biggest dollar-amount savings in our entire guide. The Nanlux Evoke 900C is a legitimate high-output workhorse designed to compete with heavy HMI fixtures, but with full color control.
This isn’t just the light head; it’s the full Travel Kit, which includes the FL-35YK Fresnel Lens (essential for focusing that massive output) and a heavy-duty rolling flight case. With built-in LumenRadio for wireless DMX, IP-rated durability, and a staggering CCT range of 1800K to 20,000K, this is a top-tier professional lighting package for the price of a mid-range fixture. Saving over $2,400 on a kit this capable is unheard of.
Holiday Price: $3,645.00 (Regular Price: $6,075.00 — Save $2,430!)
NANLUX EVOKE 1200B LED BI-COLOR SPOT LIGHT KIT (WITH TROLLEY CASE)
| Pros: Incredible raw output (61,030 Lux at 9.8′); robust bi-color range (2700-6500K) with high color accuracy (CRI 96); includes a rugged trolley case for easy transport. |
| Cons: Requires a heavy-duty stand (Junior pin) due to its size and weight; does not have the full RGB color mixing of the 900C (this is strictly bi-color). |
| Standout Feature: The precision control at high output. Usually, big lights are blunt instruments, but the 1200B allows for dimming from 0 to 100% in ultra-precise 0.1% increments, giving you total control over that massive beam. |
If you need a heavy hitter to replace your old HMIs, this is the deal of the year. The Evoke 1200B is a beast of a fixture, delivering a blinding amount of light (over 61,000 Lux at ~10 feet) while maintaining the flexibility of LED.
Designed for shooters who need to move fast on location, this kit comes with a rugged trolley case to protect the asset. You get a versatile CCT range of 2700K to 6500K with flawless color rendering, meaning you can match practicals or sunlight instantly without fumbling with gels. At nearly $1,600 off, this is the most affordable way to add true “big gun” output to your lighting truck.
Holiday Price: $2,369.00 (Regular Price: $3,949.00 — Save $1,580!)
NANLUX EVOKE 150C RGB LED SPOT LIGHT
| Pros: All-in-one ballast-free design makes it incredibly fast to set up; innovative 8-chip “Nebula” color engine for stunningly rich colors; robust IP66 weather resistance. |
| Cons: 150W output means it’s best suited as a backlight, hair light, or interview key light rather than a main source for large sets. |
| Standout Feature: The ballast-free design. Unlike almost every other pro-grade fixture in this class, the Evoke 150C has no external brick to hang on a stand. You just plug it into the wall (or a battery) and go, making it the ultimate run-and-gun professional light. |
The Nanlux Evoke 150C is a “unicorn” fixture: a professional, IP66-rated, full-color point source that fits in a backpack and requires no external ballast. This is the perfect light for DPs who need to move fast.
Powered by Nanlux’s advanced “Nebula C8” 8-chip light engine, it mixes Deep Red, Red, Amber, Lime, Green, Cyan, Blue, and Indigo to create the most vivid, saturated colors and accurate skin tones possible across a massive 1000-20,000K range. Whether you need a bulletproof eye light, a punchy backlight for a rain sequence, or a travel-ready interview key, the 150C is built to handle it all.
Holiday Price: $1,080.00
NANLUX EVOKE 600C RGB LED SPOT LIGHT (TROLLEY CASE KIT)
| Pros: Massive 600W output with the innovative “ballast-free” design (just plug and play); IP66 weather rating for shooting in the rain; native Bowens mount opens up endless modifier options. |
| Cons: At 16 lbs, the head unit is heavier than others in its class because the power supply is built-in, requiring sturdy support. |
| Standout Feature: The Native Bowens Mount. Unlike its bigger brothers (the 900C and 1200B) which use the proprietary NL mount, the 600C features a native Bowens mount. This means you can instantly use the softboxes, domes, and lanterns you likely already own without needing expensive adapters. |
The Nanlux Evoke 600C hits the absolute “sweet spot” of the Evoke lineup. It packs a serious punch—enough to fight the sun in a close-up or light a large room—but retains the incredible convenience of the 150C’s ballast-free design. You don’t have to lug around a heavy power brick; you simply mount the head, plug it into the wall (or a 48V battery), and shoot.
It utilizes the same cutting-edge “Nebula C8” 8-chip RGBLAC color engine as the 900C for flawless skin tones and deep saturation. With its IP66 weather rating and the included rolling trolley case, this is arguably the most versatile, travel-ready high-output fixture on the market today.
Holiday Price: $2,580.00
NANLITE FS-60B BI-COLOR STUDIO SPOTLIGHT
| Pros: Insanely affordable (under $100 for a pro-grade light); highly compact and lightweight; versatile bi-color range (2700K-6500K). |
| Cons: AC power only (no battery option), so you must be near an outlet; uses the smaller FM mount (though adapters for Bowens are widely available). |
| Standout Feature: The price-to-performance ratio. Getting a color-accurate, bi-color fixture from a top-tier brand like Nanlite for under $100 is virtually unheard of. |
This is the ultimate stocking stuffer for filmmakers. At just $99, the FS-60B is a steal. It’s a compact, bi-color studio workhorse that packs a surprising amount of punch for its size. Perfect for YouTubers, streamers, or as a dedicated hair light/rim light on a larger professional set, it offers the same high color accuracy (CRI 96) as Nanlite’s more expensive fixtures. If you need to expand your kit on a tight budget, grab two or three of these before they’re gone.
Holiday Price: $99.00 (Regular Price: $179.00 — Save $80!)
NANLITE PAVOTUBE II 30C RGB LED TUBE LIGHT (4’, 2-LIGHT KIT)
| Pros: The industry-standard form factor for music videos and practicals; improved “II” version features faster PD charging and brighter output; incredible 40% discount. |
| Cons: 4-foot tubes can be tricky to travel with due to length; the “C” series does not have pixel-mapping effects (like the X series). |
| Standout Feature: The Gen II upgrades. Nanlite took everything people loved about the original PavoTubes and fixed the annoyances—hiding the LEDs better for a smoother look, increasing brightness, and adding USB-C PD charging for fast power-ups on set. |
This is a massive 40% price drop on one of the most versatile tools in a filmmaker’s kit. The PavoTube II 30C 2-Light Kit gives you two 4-foot RGBWW tubes that are perfect for use as practicals in the shot, creating interesting background color contrast, or acting as a soft, wrap-around key light for interviews.
With full RGB control and a wide CCT range (2700K-7500K), these lights are ready for any creative scenario. Getting a complete 2-light kit (including mounting clips and a padded carrying bag) for just $359 is an exceptional value for indie filmmakers and production companies alike.
Holiday Price: $359.00 (Regular Price: $599.00 — Save $240!)
ROSCO DMG DASH CRMX SINGLE KIT
| Pros: Features Rosco’s legendary six-chip MIX color technology (RGBALW); built-in CRMX/LumenRadio for pro wireless DMX; rugged, weatherproof (IP65) aluminum body. |
| Cons: Premium price for a pocket light (which this deal helps solve); 3-hour battery life at 100% means you’ll need a power bank for all-day use. |
| Standout Feature: This is a professional cinema tool, not a toy. The built-in CRMX for wireless DMX control and the six-chip MIX engine—which gives you access to the entire True Rosco Color gel library—put this in a class far above other pocket LEDs. |
The DMG Dash is the smallest member of Rosco’s pro-level MIX family, and it’s a tiny beast. This is a high-output, color-accurate tool designed to be hidden in plain sight, used as an eye light, or integrated into complex lighting setups via its built-in wireless DMX.
Its compact, rugged, and weatherproof design means you can mount it anywhere. The kit comes complete with magnetic modifiers, including a dome, flat diffuser, and eggcrate, making it a complete, set-ready package right out of the box.
Promo Price: $339.15 (15% Off) Use Code: FA15 (MAP Price: $399)
SPECTRA CINE V-A LIGHT METER
| Pros: Successor to the Oscar-winning industry-standard meter; measures f/stops, footcandles, and lux; features a 2.8-inch color touchscreen with a “Classic” analog-style display option. |
| Cons: Does not have a built-in spot meter (it’s a dedicated incident meter); a heavy, substantial-feeling tool. |
| Standout Feature: An unprecedented dynamic range of 100 million-to-one. This meter can accurately read everything from near-total darkness to the brightest, direct light (f/0.35 to f/128) with legendary precision. |
For decades, Spectra Cine has been the gold standard for cinematography, and the Professional V-A is the modern evolution of that legacy. This is a dedicated, no-nonsense tool for DPs and gaffers who demand absolute accuracy. It’s built for one purpose: to give you the most precise incident light measurements possible.
With its massive dynamic range, flexible USB-C or AA battery power, and a memory function to store up to 10 readings, this is the last light meter you’ll ever need to buy
Get 25% Off This Holiday!
All orders should be directed to: tvfilm@spectracine.com and include promo code: PROV25
Impact 5-in-1 Collapsible Circular Reflector Disc (42″)
| Pros: The single most cost-effective lighting tool you can own; provides five different surfaces (Translucent, White, Silver, Gold, Soft Gold) in one bag; collapses to 1/3 its size for easy travel. |
| Cons: At 42″, it acts like a sail in the wind—you will need a sandbag, a stand, or a sturdy assistant to hold it outdoors. |
| Standout Feature: The Translucent Core. While the reflective skins are great for bouncing light, the inner disc acts as a massive 42″ diffusion silk. Holding this over talent in harsh midday sun instantly turns “bad” light into soft, flattering, cinematic illumination. |
This circular reflector disc is the “Swiss Army Knife” of lighting. If you are just starting to build your kit, this should be your very first purchase after your camera. For under $35, you get a complete lighting control system.
Use the White side for a soft, neutral fill; the Silver for a punchy, high-contrast kick; the Gold to warm up skin tones during golden hour; or the Translucent disc to diffuse harsh sunlight. It folds down to a fraction of its size, fits in any backpack, and can save a shot when you don’t have the budget for big lights.
Holiday Price: $34.97 (Regular Price: $49.96 — Save 30%!)
GAFFER TEMPLATE PACKAGE
| Pros: Designed by an ASC Cinematographer who started his career as a Gaffer; manages the complex logistics of power and expendables; available in fully editable formats (Excel, Numbers, Pages). |
| Cons: These are professional inventory and management tools, designed for crews running lighting trucks rather than solo videographers with a single LED panel. |
| Standout Feature: The Electric & Expendable Master Lists. Gaffing involves tracking thousands of small but critical items—from specific gels and tape to connectors and distribution boxes. These master lists act as your failsafe, ensuring you never arrive on set missing the one piece of gear that makes the shot work. |
Lighting is an art, but Gaffing is a logistical battlefield. The Gaffer Template Package ensures you win that battle before the truck even opens. Designed by Shane Hurlbut, ASC—who spent years climbing the ladder as a professional Gaffer before becoming a DP—these templates are built on real-world experience.
For just $19.99, this package removes the administrative headache from your workflow. It organizes your crew, your power distribution, and your massive inventory of expendables so you can stop worrying about spreadsheets and focus on doing what you do best: creating and shaping light. Whether you are prepping a feature or a commercial, these resources will keep you organized through every show.
Price: $19.99
THE ULTIMATE GAFFER’S KIT
| Pros: A complete lighting truck in a wishlist; spans the entire spectrum from massive HMI-killing output (Evoke 5000B) to delicate practicals (PavoTubes); built on industry-standard Matthews grip support. |
| Cons: This is a massive infrastructure investment; the high-output fixtures (Evoke 2400B/5000B) require serious power management and dedicated crew to operate safely. |
| Standout Feature: The Measurement Tools. A Gaffer doesn’t guess; they measure. This kit includes the “Holy Trinity” of metering: the Sekonic C-800 Spectrometer (for color science), the Sekonic Speedmaster L-858D-U (for exposure), and the Alan Gordon Blue Ring Gaffer’s Glass (for looking directly into the source to judge placement). |
A Gaffer is part artist, part engineer, and part general. This kit is designed to give you the firepower and the precision to handle any scenario, from a subtle interview to a massive night exterior. We have curated a collection that represents the modern era of lighting: high-output, full-color control, and absolute precision.
Price: (Varies based on selection)
2025 FILMMAKING RESOURCES:
Want to sharpen your filmmaking skills and unlock your creative potential? This section is dedicated to the best filmmaking resources, like online courses and workshops.
Whether you’re a seasoned pro or just starting your journey, continuous learning is essential for growth. Dive into these valuable resources and discover new techniques, gain inspiration, and elevate your craft. Knowledge is power. Invest in yourself and watch your filmmaking flourish!
FILMMAKERS ACADEMY
| Pros: Unlimited access to premium courses and training videos; monthly coaching calls with industry leaders; eligibility for the FA Shadow Program; exclusive access to the B&H EDU Advantage Program. |
| Cons: Cinematography content is more extensive than other filmmaking disciplines (though expanding rapidly). |
| Standout Feature: The B&H EDU Advantage. Annual members now get exclusive entry into the B&H EDU program, unlocking the same discounts university students get—saving you thousands on gear from top brands like Sony, Canon, and Blackmagic. This perk alone pays for the membership! |
Filmmakers Academy is more than just an online learning platform—it’s the ultimate career accelerator. This holiday season, we are offering our best deal of the year: Get our all-new Exposing Motion Picture Film Masterclass bundled with a full Annual Membership for just $269.99.
Annual Membership provides the ultimate experience. On top of unlocking every piece of content, the global community, and monthly coaching calls with industry pros, Annual Members get exclusive access to every Masterclass and the ability to apply for the FA Shadow Program to get on-set experience. Plus, with the new B&H EDU Advantage benefit, you can upgrade your gear for less while you upgrade your skills. Invest in yourself and make 2026 your breakout year!
Black Friday Deal: Annual Membership + New Film Masterclass Bundle Sale Price: $269.99 (Regular Price: $349.99)
SHOTDECK
| Pros: The world’s largest, most meticulously tagged library of cinematic images; saves countless hours in pre-production; new Canva integration streamlines pitch deck creation. |
| Cons: The full subscription cost can be a barrier for students or those on a tight budget. |
| Standout Feature: The incredibly granular search filters. You can search millions of shots not just by film, but by composition, frame size, lighting quality, mood, color palette, camera, and lens, making it an unparalleled tool for finding the exact visual reference you need in seconds. |
ShotDeck is the undisputed industry-standard tool for visual reference and inspiration. Built by and for filmmakers, it’s a massive, ever-growing library of millions of high-resolution shots from films, TV, music videos, and commercials.
It’s the ultimate tool for building pitch decks, lookbooks, or just studying the craft of your favorite cinematographers. With its new integration directly into Canva, you can now access your curated decks and search its entire library without ever leaving your design, making it the most powerful and efficient visual workflow available to creatives.
Get 30% Off a Full Year Subscription!
Use Code: FAHOLIDAY (Valid now through December 30th for personal or gift subscriptions)
EDITSTOCK
| Pros: Get hands-on experience with real, professionally shot footage (dailies) from short films, documentaries, and commercials. |
| Cons: This is practice footage; it cannot be used in a commercial project, only for your personal reel or for learning. |
| Standout Feature: This is the best way to solve the “can’t get a job without a reel, can’t build a reel without a job” paradox. You get the raw footage and the script, so you can build your portfolio with high-quality, narrative projects. |
The single best way to become a better editor is to edit. EditStock provides what students and aspiring editors need most: access to high-production-value, professionally shot projects to practice their craft.
This isn’t just random stock footage; this is the entire set of dailies from real short films, music videos, and documentaries, including the scripts and production sound. You get to cut a full scene from start to finish, just like you would on a real job. For Black Friday, they’re running a massive Buy One, Get One Free sale, letting you double the size of your practice library for half the price. This is the perfect time to grab a narrative scene and a doc-style project to show off your range.
DEAL: Buy One, Get One FREE Dates: 11/28 – 12/2 Use Code: BFCM25
MUSICBED
| Pros: The most highly-curated music library on the web, featuring “real” artists and bands, not just stock production music. The “Sounds” add-on is a premium library of SFX from Oscar-winning designers. |
| Cons: The music library is so high-quality, you may hear your favorite track in other high-end productions. |
| Standout Feature: The “Musicbed Sounds” add-on is an incredible value. You’re not just getting “sounds,” you’re getting a curated library of over 150,000 premium sound effects, crafted by the same sound designers who worked on films like Dune and Oppenheimer. |
Stop using music that sounds like a corporate hold message. Musicbed has built its reputation on providing filmmakers with a catalog of exceptional, emotionally resonant music from actual, in-demand artists and composers. This is the secret weapon for giving your films a truly cinematic and professional feel.
For Cyber Monday, they aren’t just discounting—they’re adding massive value. When you purchase any Musicbed subscription, you’ll get a full year of their “Musicbed Sounds” add-on for free. This is their brand-new, premium library of sound effects, making this the perfect deal to lock in both your music and SFX for the entire year.
DEAL: Get a FREE Year of Musicbed Sounds with any Subscription Use Code: CYBERMONDAY25
SHORE SCRIPTS
| Pros: Feedback from pro script analysts who have worked for Netflix, Paramount, HBO, and Lionsgate; a proven track record of getting writers signed and produced. |
| Cons: Script feedback is subjective, but this service uses vetted industry professionals to ensure the highest quality. |
| Standout Feature: This isn’t just feedback; it’s a development and connection tool. Shore Scripts is supported by Oscar, Emmy, and BAFTA-winning mentors and actively connects promising scripts with managers, agents, and production companies. |
A great script is the foundation of any great film, but getting honest, actionable feedback is one of the hardest parts of the process. Shore Scripts helps emerging screenwriters break in by providing comprehensive script coverage from professionals who actually work in the industry.
This is your chance to have your screenplay analyzed by the same script readers who have worked for studios like Paramount, Netflix, and HBO. They will provide comprehensive, actionable feedback to help you craft your very best screenplay. This isn’t a simple proofread; it’s a deep-dive analysis of your story, structure, characters, and marketability—the exact same process a script goes through when submitted to a major studio.
DEAL: 15% Off All Coverage Packages Use Code: FA15 (Valid now through December 31, 2025)
FILM DIRECTOR TEMPLATE PACKAGE
| Pros: Bridges the gap between creative vision and logistical execution; includes editable formats for both Mac (Pages/Numbers) and PC (Word/Excel) users; features real-world Look Book examples. |
| Cons: These are logistical tools—they organize your vision, but they won’t write the script for you. |
| Standout Feature: The Look Book Examples. For a director, communicating the “vibe” is half the job. This package includes professional examples of Look Books, giving you a proven framework to pitch your vision to clients and collaborators effectively. |
Directing is about more than just working with actors; it’s about being the general of an army. The Film Director Template Package empowers you to stop worrying about the logistics and focus on the performance. Inspired by the workflow of veteran Commercial Director Jordan Brady, these templates allow you to conduct your production like a symphony.
For just $29.99, you get the tools to keep your entire team in seamless harmony. From the creative side (Shot List Templates and Look Book Examples) to the logistical side (Crew Lists, Travel Info, and Camera Master Lists), this package ensures you never call “Action” without the peace of mind that comes from total preparation. Lead your team with a unified vision and keep your project on the rails.
Price: $29.99
THE ULTIMATE DIRECTOR’S KIT
| Pros: The definitive collection of visualization tools; covers everything from smartphone scouting to high-end optical PL monitoring; includes essential on-set comfort and carry gear. |
| Cons: The high-end optical viewfinders (DENZ, Lindsey Optics) are significant investments reserved for career directors; owning multiple viewfinders is redundant, so this kit is about finding the right one for you. |
| Standout Feature: The Visualization Spectrum. This kit doesn’t force one way of working. It offers the classic industry-standard Alan Gordon Mark Vb for quick blocking, the Zacuto Smart Z-Finder for modern smartphone scouting, and the ultra-premium DENZ and Lindsey Optics systems for directors who demand to see through the actual cinema glass. |
A Director’s primary job is to communicate a vision, and this kit provides the tools to do exactly that with precision and authority. We have curated the essential “Director’s Survival Kit” to help you block scenes, scout locations, and command the set.
From the Focal Press theory book to the tools that help you frame the next masterpiece, this is the gear that helps you turn a script into a reality.
Price: (Varies based on selection)
HEADSETS & MICROPHONES:
Great visuals mean nothing if the audience can’t hear the story, and a smooth shoot is impossible if the crew can’t hear each other. This holiday season, step up your audio game with incredible deals on the gear that keeps your production loud and clear. Whether you need professional wireless lavs to capture pristine dialogue or a crystal-clear intercom system to keep your crew in sync, we’ve found the best discounts on the tools that separate the pros from the amateurs. Don’t let bad audio or miscommunication ruin your shoot—invest in the gear that ensures you’re heard.
HOLLYLAND LARK A1
| Pros: Incredible 54-hour total battery life, 3-level noise cancellation, 48kHz/24-bit high-fidelity audio. |
| Cons: Less range than the M2 or MAX 2 series. |
| Standout Feature: A massive 54-hour battery life (with the case) makes this the perfect companion for long shoots, travel vlogging, or multi-day events where you can’t stop to charge. |
The LARK A1 is the workhorse you need for all-day reliability. If your biggest fear is seeing a battery bar hit red, this is your solution.
It delivers crystal-clear 48kHz/24-bit audio and features 3-level intelligent noise cancellation to ensure your voice is heard, even in noisy environments.
With 9 hours of life on a single charge and a total of 54 hours with the case, the LARK A1 is built for creators and vloggers who need to hit record and trust that their audio will be there.
Save 20% Off this Holiday Season!
HOLLYLAND LARK MAX 2
| Pros: Professional 32-bit float internal recording, wireless monitoring earphones, massive 1115ft (340m) range. |
| Cons: More features than a beginner might need. |
| Standout Feature: 32-bit float internal recording on each transmitter. This is a game-changer, as it makes it virtually impossible to “clip” or distort your audio. It’s a lifesaver in post-production. |
The LARK MAX 2 is a professional audio powerhouse in a compact package. This is for the serious filmmaker and videographer.
Its standout feature is 32-bit float internal recording, which gives you an incredible dynamic range and means you never have to worry about audio levels being too hot.
Add in a massive 1115ft range, built-in timecode, and a unique set of wireless OWS monitoring earphones, and you have a system that can handle any professional gig you throw at it.
Save 20% Off this Holiday Season!
HOLLYLAND LARK M2
| Pros: Shockingly small “button-size” (9g), 40-hour total battery life, 1000ft (300m) range. |
| Cons: Newer M2S model is even more discreet. |
| Standout Feature: The “button-size” transmitter is incredibly lightweight (9g) and discreet, making it one of the easiest mics to hide on talent. |
The LARK M2 is the “mic-that-is-not-a-mic.” At a ridiculously tiny 9g, the “button-size” transmitter is so small it’s virtually unnoticeable, making it perfect for weddings, interviews, and any shoot where you need to hide the mic.
But its small size hides big performance: you get crisp 48kHz/24-bit audio, a massive 1000ft range, and an incredible 40-hour total battery life with the charging case. It even has a remote phone shutter control for vloggers.
Save 20% Off this Holiday Season!
HOLLYLAND LARK M2S
| Pros: The most discreet mic (7g), titanium clip, app-controlled noise cancellation. |
| Cons: 30-hour total battery life is 10 hours less than the M2 (but still plenty). |
| Standout Feature: At just 7g, this is the lightest, most discreet mic in the LARK family, featuring a premium titanium clip that’s nearly invisible on clothing. |
The LARK M2S is the next evolution of “invisible audio.” Taking everything great from the M2, the M2S is even lighter (7g) and more discreet, with a premium titanium clip design that’s practically hidden when worn.
It delivers high-fidelity 48kHz/24-bit audio over a 1000ft range and features two-level noise cancellation that you can control via the LarkSound app.
With a 30-hour total battery life, this is the ultimate solution for filmmakers who demand the smallest, lightest, and most professional-looking mic for talent.
Save 20% Off this Holiday Season!
HOLLYLAND SOLIDCOM SE
| Pros: Excellent dual-mic ENC (Environmental Noise Cancellation), ready to use out-of-the-box (pre-paired), great 1,100ft (350m) range. |
| Cons: Operates on the 2.4 GHz band, which can be crowded in some environments. |
| Standout Feature: The dual-mic Environmental Noise Cancellation (ENC) is a game-changer at this price point. It actively filters out set noise, wind, and chatter, allowing your crew to communicate with crystal clarity. |
Clear communication is the most important (and often overlooked) part of a smooth shoot. The Solidcom SE is the perfect affordable, full-duplex intercom system for small to medium-sized crews. Unlike walkie-talkies, these headsets allow everyone to talk and be heard at the same time, just like a natural conversation.
They are incredibly lightweight, water-resistant, and come pre-paired so they work right out of the box. With a massive 1,100ft range and batteries that last all day, this is the ideal set-it-and-forget-it solution for DPs, 1st ACs, directors, and gaffers who need to stay in sync.
Save 20% Off this Holiday Season!
B&H PHOTO DEALS
It’s a filmmaker’s paradise—and their holiday deal season is the main event. This is the moment to finally pull the trigger on that big kit upgrade you’ve been dreaming of all year.
B&H is going big with deep discounts on serious, professional video gear. We’re already seeing incredible savings on workhorse cameras, massive markdowns on monitors, and deals on everything from cinema lenses to essential V-mount batteries. Whether you’re building your first indie kit or upgrading a pro-level setup, their curated deals on cameras, audio, and lighting are not to be missed.
| Exclusive Member Perk: Did you know Filmmakers Academy Annual Members now have full access to the B&H EDU Advantage Program? That means you get the exact same educational discounts as university students—saving you thousands across top brands. It pays to be a member! |
2025 CAMERA DEALS:
This is not a drill! The holiday camera deals are here, and they are deep. This is the moment to upgrade your camera game. We’re seeing massive price drops on the industry’s most in-demand cameras, giving you the chance to finally snag a true hybrid workhorse like the Blackmagic URSA Cine 12K at its lowest price of the year.
We’re also spotting incredible deals on powerhouse cinema bodies, including the Blackmagic Pocket 4K/6K and the Sony FX30. For run-and-gun or unique POVs, don’t miss the holiday bundles on action cameras, making this the perfect time to get the camera you really want.
KONDOR BLUE: Starts at $14.99 (Tiered Free Gifts from $50–$2,500)
| Pros: The Mini Lock system is incredibly compact with zero “play” or wiggle; distinct colorways (Raven Black, Space Gray, Cardinal Red, Kondor Blue) allow for functional color-coding of rigs; backed by a legendary lifetime warranty. |
| Cons: The system is admittedly addictive—once you outfit one monitor or magic arm with a Mini Lock, you will immediately want to convert every single accessory in your kit to match. |
| Standout Feature: The “More the Merrier” Campaign. This holiday season, Kondor Blue is gamifying your rig building. As you reach spend tiers from $50 up to $2,500, you automatically unlock free gifts—stacking up doo-dads, knick-knacks, and clever gadgets to elevate your kit just for buying the gear you already needed. |
Kondor Blue has rapidly become the standard for filmmakers who care about both aesthetics and industrial-grade durability. While they offer everything from cages to cables, the Mini Lock Quick Release System is the ultimate stocking stuffer and the perfect entry point into their ecosystem. It replaces bulky, generic plates with a tiny, rock-solid receiver that snaps into place with a satisfying click, ensuring your monitors, lights, and arms never twist loose in the middle of a shoot.
Right now is the absolute best time to upgrade your rig because of their holiday tiered event. Whether you are grabbing a few $14.99 Mini Locks, a D-Tap hub, or investing in their $550 4×5 Matte Box System, you get rewarded for every milestone you hit. It’s a rare chance to grab premium, lifetime-warranty gear and get extra “cheer” dropped into your cart automatically.
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BLACKMAGIC CINEMA CAMERA 6K + SIGMA 28-70MM F/2.8 LENS KIT
| Pros: A true Full-Frame 6K sensor in a compact body; shoots open gate 3:2 for maximum reframing flexibility; includes a fast, constant-aperture Sigma zoom lens that is perfect for run-and-gun. |
| Cons: Does not have built-in ND filters (unlike the 6K Pro); uses the L-Mount, which is incredibly versatile but may require adapters if you already own a lot of EF glass. |
| Standout Feature: The Full-Frame Look. This is the most accessible way to get that “large format” cinematic aesthetic. With the massive 24x36mm sensor, you get a wider field of view and shallower depth of field than Super 35 cameras, making your footage feel grander and more immersive instantly. |
This is the “indie filmmaker dream kit.” Blackmagic Design took the beloved form factor of the Pocket Cinema Camera and supercharged it with a massive Full-Frame 6K sensor and an L-Mount.
This B&H exclusive kit pairs the camera with the Sigma 28-70mm f/2.8 DG DN Contemporary, a lens that is tailor-made for this body. It’s lightweight, sharp, and features a fast constant aperture, making it the perfect “one-lens” solution for documentaries, weddings, or narrative shorts. You get 13 stops of dynamic range, dual native ISO, and the ability to record Blackmagic RAW directly to CFexpress cards or SSDs. If you’re ready to graduate to Full Frame, this is the perfect entry point.
Holiday Price: $3,799.00 (Regular Price: $3,899.00 — Save $100!)
BLACKMAGIC POCKET CINEMA CAMERA 6K PRO (CANON EF)
| Pros: The ultimate all-in-one run-and-gun camera with built-in ND filters (2, 4, and 6 stops); a massive, bright 1500-nit tilting HDR screen; dual mini-XLR inputs for professional audio. |
| Cons: The body is bulky and oddly shaped, making it harder to balance on smaller gimbals; battery life on the NP-F570s is short, so you’ll need plenty of spares (or a battery grip). |
| Standout Feature: The Built-In ND Filters. This is the game-changer that separates the “Pro” from the standard 6K. Being able to dial in 2, 4, or 6 stops of neutral density at the touch of a button allows you to maintain that cinematic shallow depth of field in bright sunlight without fumbling with screw-on filters or matte boxes. |
The Blackmagic Pocket 6K Pro is the workhorse of the indie film world for a reason. It takes the incredible Super35 6K sensor and Gen 5 Color Science of the original and packs it into a body designed for professional use.
With a super-bright 1500-nit tilting HDR screen (viewable in daylight), built-in motorized ND filters, and two mini-XLR audio inputs, this camera eliminates the need for a bulky rig. You can literally grab it and go. Recording Blackmagic RAW directly to SD cards, CFast 2.0, or external SSDs via USB-C, it remains the best value-for-money cinema camera on the market.
Holiday Price: $3,019.00 (In Stock & Ready to Ship)
Kodak Super 8 Camera
| Pros: A stunning blend of analog soul and digital convenience; features a 4″ articulating LCD viewfinder so you can actually see what you’re shooting; records Crystal Sync audio to an SD card. |
| Cons: The price point is a significant investment for a Super 8 format; requires ongoing budget for film stock and developing. |
| Standout Feature: The Extended Gate. Kodak engineered this camera to capture an area approximately 11% larger than traditional Super 8 film. This gives you a 1:1.5 aspect ratio that packs more resolution and visual information into every frame, making it easier to intercut with modern digital formats. |
Super 8 is back, and it has evolved. After years of anticipation, Kodak has released a camera that bridges the gap between the golden age of film and the modern digital workflow.
This Kodak Super 8 Camera isn’t a vintage pawn-shop find; it is a precision instrument. It features a native C-Mount (coming with a sharp 6mm f/1.2 lens), a 4″ digital viewfinder for accurate framing, and the ability to record audio directly to an SD card with Crystal Sync—eliminating the hardest parts of the analog workflow. Whether you are shooting a stylized music video on Vision3 or a gritty documentary on Tri-X black and white, this camera offers the texture of film with the confidence of modern technology.
Price: $5,495.00 (In Stock & Ready to Ship)
EOS C80 6K Full-Frame Cinema Camera (Canon RF)
| Pros: The perfect marriage of the EOS C70’s compact body and the EOS C400’s powerful 6K Full-Frame sensor; Triple-Base ISO (800 / 3200 / 12,800) for unmatched versatility; simultaneous 12G-SDI and HDMI output. |
| Cons: Uses Mini-XLR inputs instead of full-size XLRs; recording high frame rates (4K120) imposes a crop. |
| Standout Feature: The Autofocus. Canon’s Dual Pixel CMOS AF II is widely considered the best in the business, and on the C80, it’s even better. With deep learning algorithms that track heads, eyes, and bodies with eerie precision, this camera makes “one-man-band” operating feel like you have a 1st AC pulling for you. |
The Canon EOS C80 is the camera solo operators have been waiting for. It takes the beloved, compact form factor of the C70 and upgrades it with the same stacked, back-illuminated 6K Full-Frame sensor found in the larger C400.
This means you get 16 stops of dynamic range, triple-base ISO for shooting in any lighting condition, and internal RAW recording—all in a body small enough to balance on a gimbal. Unlike the C70, the C80 features a dedicated 12G-SDI output, making it a true professional cinema tool ready for broadcast workflows. With built-in motorized ND filters and the game-changing Dual Pixel Autofocus, this is the ultimate run-and-gun powerhouse.
Holiday Price: $5,499.00 (Regular Price: $5,849.00 — Save $350!)
GoPro HERO11 Black Specialty Bundle
| Pros: Captures stunning 5.3K60 video with 10-bit color (essential for grading); HyperSmooth 5.0 stabilization is virtually gimbal-level; “Specialty Bundle” includes a 64GB SD card so you can shoot immediately. |
| Cons: It is a generation behind the latest HERO13; low-light performance is standard for small-sensor action cams (needs light to shine). |
| Standout Feature: The 8:7 Sensor. Unlike traditional 16:9 sensors, the HERO11 uses a taller 8:7 aspect ratio. This allows you to shoot one clip and crop a wide 16:9 shot for YouTube and a tall 9:16 shot for TikTok/Reels in post-production without losing quality or framing. |
Every filmmaker needs a “crash cam”—a camera you can strap to a car bumper, toss in a river, or mount in a tight corner where a cinema camera won’t fit. The GoPro HERO11 Black is the perfect tool for the job, and this bundle makes it a no-brainer.
While it isn’t the newest model, the HERO11 features the critical specs pros care about: 10-bit color (to match your A-cam), 5.3K resolution, and the incredible HyperSmooth 5.0 with Horizon Lock, which keeps your footage level even if the camera spins 360 degrees. This “Specialty Bundle” is a turn-key solution, including the camera, mounts, and a 64GB Sandisk card, so you’re ready to capture the action right out of the box.
Holiday Price: $299.99 (Regular Price: $349.99 — Save $50!)
Sony FX3A Full-Frame Cinema Camera
| Pros: True “cinema line” features (S-Cinetone, 15+ stops dynamic range) in a body so small it needs no cage; incredible low-light performance (Dual Base ISO); 4K 120p recording with no crop. |
| Cons: Lacks built-in ND filters (unlike the FX6); no EVF included (unlike the A7S III), so you are reliant on the LCD or an external monitor. |
| Standout Feature: The “Cage-Free” Design. The FX3 was built to be rigged. With five 1/4″-20 mounting points built directly into the magnesium alloy body, you don’t need to buy a heavy, expensive cage. You can bolt your top handle, monitor mount, and side grips directly to the camera, keeping your rig ultra-light and streamlined. |
The Sony FX3 blurs the line between the Alpha mirrorless series and the professional Cinema Line, creating the ultimate B-camera or solo-operator tool.
It shares the legendary 12.1MP full-frame sensor of the A7S III—meaning it can see in the dark with ISOs up to 409,600—but adds professional cooling fans for unlimited recording times, S-Cinetone color for matching the VENICE and FX9, and a detachable top handle with two XLR inputs for pro audio. If you want the power of a cinema camera with the footprint of a mirrorless, this is the gold standard.
Holiday Price: $3,998.00 (Regular Price: $4,298.00 — Save $300!)
Sony FX30 Digital Cinema Camera
| Pros: The most accessible entry point into Sony’s professional “Cinema Line”; captures 4K up to 120p with 10-bit 4:2:2 color; features the same rugged, cage-free body and cooling system as the FX3. |
| Cons: Uses an APS-C (Super 35) sensor, meaning it lacks the extreme low-light capabilities and full-frame field of view of its big brother, the FX3. |
| Standout Feature: The Super 35 Format. While “Full Frame” is the buzzword, the Super 35 sensor in the FX30 is actually a massive advantage for budget-conscious filmmakers. It allows you to use a vast library of affordable vintage glass and lighter, cheaper cinema zooms that don’t cover full-frame sensors, without sacrificing resolution. |
If you want the professional workflow of the Sony Cinema Line—including S-Cinetone, Cine EI, and reliable autofocus—but don’t have the budget for an FX3 or FX6, the FX30 is the answer.
Ideally suited as a B-Cam to the FX3 or a powerful A-Cam for indie productions, the FX30 packs a 26MP APS-C backside-illuminated sensor into the familiar industrial design of the FX3. You get the same tally lights, the same cooling fan for unlimited recording, and the same 5-axis IBIS. It’s a true cinema workhorse that punches way above its weight class, giving you the Hollywood look for under $1,800.
Holiday Price: $1,798.00 (Regular Price: $2,098.00 — Save $300!
THE ULTIMATE CAMERA OPERATOR’S KIT
| Pros: Prioritizes operator health and longevity; includes solutions for both high-speed tracking and handheld work; features gender-inclusive support options (Cinema Flex Vest). |
| Cons: These are large, heavy infrastructure investments that require significant transport space (especially the Rickshaw). |
| Standout Feature: The Easyrig Ecosystem. This kit recognizes that “one size does not fit all.” With options ranging from the Minimax for lightweight setups to the heavy-duty Vario 5, plus the inclusion of the Cinema Flex Vest (specifically designed for female operators), this kit ensures that every operator has the right ergonomic support to save their back and extend their career. |
Operating a camera is an athletic performance, and this kit is designed to keep you in the game for the long haul. We have curated the essential tools for movement, stability, and ergonomics, ensuring you can get the shot without destroying your body.
Price: (Varies based on selection)
THE ULTIMATE CAMERA ASSISTANT’S KIT
| Pros: The definitive “survival guide” in gear form; covers every aspect of the job from critical focus pulling to lens maintenance and cable management; features industry-standard staples like the Cardellini Laser and Denecke Timecode Slate. |
| Cons: A fully stocked AC kit is a significant upfront investment; requires constant restocking of expendables (tape, canned air, etc.). |
| Standout Feature: The “Ditty Bag” Essentials. While the monitors are flashy, the true value of this kit lies in the “lifesavers”—the Pancro lens cleaner, Kimwipes, BongoTies, and the specific color-coded ProTapes (paper, spike, and gaffer). These are the items that solve problems before the DP even notices them. |
A Camera Assistant is the immune system of the camera department, protecting the image and the workflow from chaos. This kit is your armor. We have curated the ultimate collection of tools, consumables, and tech to ensure you are always three steps ahead of the production.
Whether you are a 2nd AC loading out the truck or a 1st AC pulling on a 100mm prime, this kit has the gear to get you through the day.
Price: (Varies based on selection)
THE ULTIMATE CINEMATOGRAPHER’S KIT
| Pros: A comprehensive “go-bag” for the modern DP; covers everything from exposure science to data management; features industry-standard tools from Sekonic, SmallHD, and Pelican. |
| Cons: Acquiring the full kit is a significant investment; requires a dedicated case (included in the list!) to manage. |
| Standout Feature: The Science & Control. This kit doesn’t just help you shoot; it helps you measure. With the Sekonic C-800 Spectrometer (for color accuracy), Sekonic Speedmaster L-858D-U (for exposure), and the SmallHD Vision 24″ 4K HDR Monitor (for reference), you are guaranteed to know exactly what your image looks like, technically and creatively. |
A Cinematographer is only as good as their tools, and this kit is designed to ensure you are never caught unprepared. We have curated the ultimate “Director of Photography Survival Kit,” bridging the gap between old-school craft and modern digital workflow.
From the Pancro lens cleaner to the Focal Press theory book, this is the kit that tells the production you mean business.
CINEMATOGRAPHER TEMPLATE PACKAGE
| Pros: The exact organizational system used by an ASC cinematographer on feature films; comprehensive coverage across Camera, Grip, and Electric departments; fully editable formats (Excel, Pages, Word, etc.). |
| Cons: This is a robust professional system—it might be overkill for a solo “run-and-gun” videographer, but it is essential for anyone managing a crew. |
| Standout Feature: The Master Lists. The “10-Ton Grip Package” and “Electric Master List” are invaluable resources. These aren’t just blank forms; they are detailed inventories derived from decades of high-end production, serving as a cheat sheet for building professional truck packages. |
Talent gets you the job; organization keeps you hired. The Cinematographer Template Package is the ultimate toolkit for systemizing your success as a Director of Photography. Designed by Shane Hurlbut, ASC, these templates are the “lifeblood” that has organized dozens of his feature films and commercials.
For $49.99, you are buying a proven workflow. This package ensures your entire team stays on the same page, keeping production on time and on budget. It includes everything from Look Book Examples and Shot List Templates to detailed Camera Breakdowns and Expendables Lists. Stop reinventing the wheel every shoot and start running your set with the efficiency of a Hollywood veteran.
*Note: The Cinematographer Template Package includes every other Template Package we offer (i.e. Directors, Gaffers, Key Grip, etc.).
Price: $49.99
CAMERA ASSISTANT TEMPLATE PACKAGE
| Pros: Created by a working Hollywood 1st AC; includes editable templates for Pages, Excel, and Numbers; covers every aspect of department management from prep to travel. |
| Cons: These are professional organizational tools, so they require a basic understanding of AC workflows to use effectively. |
| Standout Feature: The Master Lists. The “Camera Expendable Master List” and “Digital Camera Master List” alone are worth the price of admission. These are time-tested, comprehensive checklists that ensure you never step onto a set missing a critical piece of gear or a roll of tape. |
Stop using amateur, free templates you found on Reddit and start running your department like a Hollywood professional. Designed by Key 1st AC Derek Edwards, this package is the exact organizational system used on major motion pictures to keep the camera department running smoothly.
For just $19.99, you get a complete suite of editable tools, including an AC Prep Checklist, Crew List, Expendable Master List, and Travel Info Templates. Available in PDF, Excel, and Apple Numbers/Pages formats, this package is designed to help you optimize your pre-production workflow, manage your team and gear with confidence, and ensure you are always three steps ahead of the production.
Price: $19.99
2025 MONITOR DEALS:
If you’re still relying on the 3-inch screen on the back of your camera, this is your sign to stop. Don’t settle for “I think it’s in focus” for another year. Nailing critical focus and exposure is non-negotiable, and this holiday’s monitor deals are the best we’ve seen, with massive price drops on top brands like SmallHD (Indie 7) and Atomos (Shinobi 7).
Whether you need a super-bright 7-inch field monitor, a 5-inch lightweight for your gimbal, or a 4K production display for video village, the deals are here. We’ve even found Feelworld and PortKeys for 20% off or more. There’s an option for every budget, so you can finally afford to see every pixel.
HOLLYLAND MARS M1
| Pros: All-in-one transmitter, receiver, and monitor; 1000 nits bright 5.5” touchscreen; full suite of pro monitoring tools (LUTs, Waveform). |
| Cons: 1000 nits is bright, but may require a sunhood in direct, harsh sunlight; some users report the screen is not as tack-sharp as premium-priced monitors. |
| Standout Feature: This is the ultimate rig-killer. It’s a 5.5” monitor, a wireless transmitter, and a wireless receiver all in one single unit, dramatically reducing cable clutter and battery management. |
The Mars M1 is the solution to over-complicated camera rigs. Why mount a monitor, a transmitter, and a battery for each? The M1 does it all. This 5.5” touchscreen monitor is a bright 1000 nits and features all the professional tools you need, including 3D LUT support, waveform, vectorscope, and false color.
The best part? It can transmit its signal to another M1 or up to four mobile devices, or be switched to receiver mode to act as a wireless director’s monitor. With a 450ft (150m) range and low 0.08s latency, this is the perfect all-in-one monitor for your camera, gimbal, or director’s cage.
Save 10% Off this Holiday Season!
FLANDERS SCIENTIFIC XMP270
| Pros: Compact 26.5″ size is perfect for DIT carts and small suites, completely silent fanless design, can be powered via DC for on-set battery use. |
| Cons: 1,000 nits peak luminance, while excellent for on-set, is lower than its larger siblings for high-end HDR mastering. |
| Standout Feature: True QD-OLED reference quality in a form factor that is compact, lightweight, and power-efficient enough to finally bring professional HDR monitoring to on-set environments. |
The XMP270 is the on-set solution DITs and 1st ACs have been waiting for. It packs the same industry-leading QD-OLED technology as its larger mastering-suite siblings into a 26.5” UHD display that’s light, power-efficient, and completely silent. It’s the perfect display for pulling focus, checking exposure, and managing color on location, giving you a true representation of your HDR image at the moment of capture.
Black Friday Price: $9,995 (Save $1,500) (List Price: $11,495)
FLANDERS SCIENTIFIC XMP550
| Pros: The award-winning original QD-OLED reference monitor, 2,000 nits peak luminance, exceptional for HDR and SDR mastering |
| Cons: Has been succeeded by the brighter XMP551. |
| Standout Feature: This is the 55” UHD display that started the QD-OLED revolution in professional monitoring, winning awards for its incredible contrast and color performance. |
The XMP550 is a modern legend. As the world’s first professional QD-OLED reference monitor, it set a new standard for HDR and SDR mastering. Its 55” panel, 2,000 nits peak luminance, and true per-pixel emissive control deliver the performance that grading suites and post-houses demand. This is a rare opportunity to get the award-winning display that started it all at a $2,000 discount.
Black Friday Price: $17,995 (Save $2,000) (List Price: $19,995)
FLANDERS SCIENTIFIC XMP551
| Pros: Blistering 4,000 nits peak luminance, next-gen QD-OLED panel, massive 8,000,000:1 contrast ratio. |
| Cons: A significant investment for all but the most serious post-production facilities. |
| Standout Feature: The “all-in-one” solution for a modern grading suite. It’s so accurate it can serve as your primary reference monitor, and so large and bright it’s also the perfect client-facing display |
The XMP551 is the successor to the acclaimed XMP550, and it raises the bar significantly. Built on a next-generation 55″ QD-OLED panel, it delivers a staggering 4,000 nits peak luminance and an 8,000,000:1 contrast ratio, making it a future-proof solution for all HLG, PQ, and Dolby Vision mastering applications.
It’s the perfect choice for facilities that want a single display to serve as both a color-critical reference and an impressive client-facing monitor.
Black Friday Price: $18,995 (Save $2,000) (List Price: $20,995)
FLANDERS SCIENTIFIC XMP651 (PRE-ORDER)
| Pros: All the next-gen 4,000-nit performance of the XMP551 but in a massive 65″ panel, built for serious post-production and broadcast. |
| Cons: The largest and most premium monitor in the lineup, designed for high-end mastering suites. |
| Standout Feature: This 65” QD-OLED UHD monitor represents the next generation of true reference HDR performance, designed to be the single source of truth in a color-critical suite for both the colorist and the client. |
For the most demanding post-production and broadcast environments, the XMP651 is the new flagship. It takes the same next-generation QD-OLED panel—with its 4,000 nits peak luminance and 8,000,000:1 contrast—and scales it up to an immersive 65 inches.
This display is built for serious, color-critical work, from HLG monitoring to Dolby Vision mastering, serving as both the colorist’s primary reference and the room’s main client display.
Pre-Order Price: Lock in a $2,000 Discount! (Shipping expected to start in December)
THE ULTIMATE COLORIST’S KIT
| Pros: The absolute industry standard for image manipulation; scales from a backpack-ready setup (Micro Panel) to a theatrical grading theater (Advanced Panel + Sony BVM); ensures total confidence in color accuracy. |
| Cons: The top-tier reference monitors (Sony BVM/Canon) are massive investments comparable to luxury cars; the Advanced Panel requires a dedicated room and desk to house. |
| Standout Feature: The Source of Truth. This kit includes the monitors that Hollywood uses to sign off on blockbusters. When you view your image on a Sony BVM-HX310 or Canon DP-V3120, you aren’t guessing. You are seeing the mathematical reality of your image, ensuring that what you deliver is exactly what the audience will see. |
Color grading is where the emotional tone of a film is finalized, but it is a discipline that requires absolute scientific precision. We have curated the ultimate toolkit for the Colorist, ranging from the essential software to the highest-end reference gear on the planet.
Price: (Varies based on selection — from Entry Level to Hollywood Master Suite)
2025 TRIPOD DEALS:
A cheap tripod isn’t a bargain; it’s a future headache of jittery footage and wobbly pans that make your work look amateur. It’s time to stop “fixing it in post” and invest in a rock-solid tripod with a true fluid head, the foundation of any professional shot.
We’re seeing massive deals on the gear that will actually support your camera, from deep discounts on Manfrotto video kits and heavy-duty Sachtler rigs to amazing prices on lightweight carbon fiber travel tripods from Peak Design and Benro. Whether you’re handling a full cinema rig or a fast run-and-gun setup, this is the time to invest in rock-solid stability.
SmallRig TribeX SE Hydraulic Tripod
| Pros: The revolutionary “X-Clutch” hydraulic system allows for the fastest height adjustments of any tripod on the market; dual-mode quick release supports both Manfrotto and DJI RS plates; solid 13.2 lb payload. |
| Cons: At 8.1 lbs, this Aluminum SE version is heavier than its Carbon Fiber sibling; the fluid head features a fixed counterbalance, which offers less fine-tuning than high-end cinema heads. |
| Standout Feature: The X-Clutch Technology. Forget flipping 9 different leg latches to change height. With the TRIBEX, you simply squeeze the single grip on the clutch, and all three legs loosen simultaneously. Release the grip, and they lock instantly. It changes the speed of your workflow forever. |
If you follow camera gear on YouTube, you know this tripod. A collaboration between SmallRig and Potato Jet (Gene Nagata), the TribeX was designed to solve the biggest frustration filmmakers have with tripods: they are too slow to set up.
The “Special Edition” (SE) Aluminum version brings this revolutionary hydraulic technology down to an incredible price point. With a simple squeeze, you can go from low-angle to eye-level in a second. The included fluid head is optimized for modern creators, featuring a clever “touch-and-go” plate design that accepts both standard Manfrotto plates and DJI RS gimbal plates, letting you switch from handheld to tripod to gimbal without changing hardware.
Holiday Price: Save up to 30% off this Black Friday from November 20 through December 1!
Magnus VT-4000 Tripod System with Fluid Head
| Pros: Unbeatable value for a starter video tripod; features a true fluid head for smooth pans and tilts; includes a mid-level spreader for excellent stability. |
| Cons: With an 8.8 lb payload, this is strictly for mirrorless/DSLR setups, not heavy cinema rigs; at 7.9 lbs, it is relatively heavy for hiking/travel. |
| Standout Feature: The 65mm Half Ball. Most tripods in this price range utilize a flat photo-style base. The VT-4000 uses a professional 65mm bowl, allowing you to level your horizon instantly without having to frustratingly adjust the leg lengths. |
If you are still shooting video on a stiff photography tripod, this is your intervention. The Magnus VT-4000 is widely considered the best “bang-for-your-buck” entry-level video tripod on the market.
For under $180, you get features usually reserved for systems costing three times as much: a true fluid head with separate pan and tilt locks, a mid-level spreader for rigidity, and a 65mm bowl for rapid leveling. It’s sturdy, reliable, and provides the smooth, cinematic movement that separates professional video from amateur footage. It is the perfect first tripod for students or a solid B-cam support for interview setups.
Holiday Price: $179.00 (Regular Price: $199.00 — Save $20!)
Sachtler aktiv8 flowtech75 MS Tripod System
| Pros: The fastest-deploying tripod system on earth; SpeedLevel technology eliminates the tie-down knob for instant leveling; carbon fiber legs are incredibly light yet support up to 26.5 lbs. |
| Cons: The legs are non-standard (broad, flat profile) which means they don’t fit into standard tube cases; once you get used to the SpeedLevel, using any other tripod feels painfully slow. |
| Standout Feature: The SpeedLevel Technology. Sachtler removed the annoying tie-down knob from the bottom of the head. Instead, a lever on the top of the head releases the clamp, allowing you to level the camera instantly or go all the way to the ground (flat to the floor) without a knob getting in the way. |
This is the gold standard for documentary and ENG shooters. The Sachtler flowtech legs changed the industry with their quick-release brakes at the top of the legs, meaning you never have to bend down to adjust height.
Paired with the revolutionary aktiv8 fluid head, this system is all about speed. The unique SpeedLevel technology allows you to level the head in seconds with a single lever, and the SpeedSwap system lets you move the head from tripod to slider instantly. At nearly $1,400 off, this is a rare chance to own the most advanced tripod system on the market at a mid-range price.
Holiday Price: $2,998.25 (Regular Price: $4,384.25 — Save $1,386!)
MANFROTTO MVH502A FLUID HEAD AND 546B TRIPOD SYSTEM WITH CARRYING BAG
| Pros: A true professional workhorse with a high 22 lb load capacity; features a 75mm half-ball for rapid leveling; rigid twin-tube aluminum legs provide excellent stability. |
| Cons: The counterbalance is fixed at 8.8 lbs, meaning very light mirrorless cameras or extremely heavy cine rigs won’t balance perfectly in the tilt axis; heavier than carbon fiber equivalents. |
| Standout Feature: The 75mm Bowl. This is the feature that separates professional video tripods from photography tripods. It allows you to level the horizon of your shot instantly by loosening the head clamp, without having to adjust the length of the legs individually. |
This is widely considered the “graduation” tripod for filmmakers moving from stills-hybrid gear to professional video support. The Manfrotto 502A head is legendary for its smooth drag and unique “bridging” design, which offers a wide platform for DSLRs and cinema cameras alike.
Paired with the robust 546B twin-leg aluminum tripod, this system offers torsional rigidity that single-tube tripods just can’t match. With a mid-level spreader for uneven terrain and “Easy Link” connectors on the head to mount monitors or recorders directly to the support, this is a rock-solid foundation for your camera package at a fantastic price.
Holiday Price: $598.95 (Regular Price: $769.95 — Save $171!)
SMALLRIG X POTATO JET TRIBEX CARBON II TRIPOD WITH FLUID HEAD
| Pros: The premium Carbon Fiber version of the viral TRIBEX tripod; features the upgraded fluid head with 4-step dynamic counterbalance; X-Clutch hydraulic system allows for instant, single-hand height adjustments. |
| Cons: At roughly 8.2 lbs, the hydraulic mechanism makes it heavier than standard carbon fiber tripods; the unique clutch system has a slight learning curve if you are used to flip-locks. |
| Standout Feature: The Dynamic Counterbalance. While the cheaper “SE” model has a fixed spring, the Carbon II features a professional 4-step (+0) dynamic counterbalance system. This allows you to dial in the head to perfectly match the weight of your specific rig, ensuring the camera stays exactly where you tilt it without fighting the return spring. |
This is the “Pro” version of the internet’s most talked-about tripod. The TRIBEX Carbon II takes the revolutionary X-Clutch hydraulic technology—which lets you extend and level all three legs with a single squeeze—and pairs it with premium Carbon Fiber legs and a vastly superior fluid head.
For the filmmaker who needs speed and precision, this kit is a game-changer. The upgraded head offers stepless tilt and pan damping plus adjustable counterbalance, giving you cinema-grade control. It retains the brilliant dual-mode quick-release plate (Manfrotto + DJI RS) and the detachable swivel handle, making it the fastest, most versatile support system for run-and-gun shooters who refuse to compromise on stability.
Holiday Price: $569.99 (Regular Price: $799.99 — Save $230!)
2025 CAMERA LENS DEALS:
A new camera body is great, but it’s new glass that truly defines your look. This is the moment to finally snag that “holy trinity” zoom or fast prime you’ve been dreaming of, with incredible deals on workhorses like the Sigma 24-70mm f/2.8 and bokeh-monsters like the Sony G Master 50mm.
It’s also the perfect time to add true cinematic style to your kit, with major discounts on Sirui Anamorphics for classic flares and complete Rokinon Cine Prime sets. Whether you need a versatile zoom for your gimbal or a specialty lens for unique effects, we’ve found the deals to expand your creative possibilities.
Nikon NIKKOR Z 28-135mm f/4 PZ Lens (Nikon Z)
| Pros: A true all-in-one documentary range (28-135mm); built-in Power Zoom (PZ) servo for smooth, broadcast-style zooms; internal focus and zoom mechanisms make it perfect for gimbal balancing. |
| Cons: At f/4, it isn’t as fast as f/2.8 primes, so you’ll need to bump ISO in very low light; specifically designed for video, making it less versatile for hybrid photo shooters. |
| Standout Feature: The Power Zoom Rocker. This is the feature that turns your Nikon Z8 or Z9 into a cinema broadcast camera. The built-in servo motor allows you to execute buttery-smooth, constant-speed zooms (creeping or fast) that are impossible to pull off by hand, all controlled via the lens lever or remotely. |
Nikon Z shooters, your dedicated cinema workhorse has arrived. The NIKKOR Z 28-135mm f/4 PZ is designed to be the only lens you need for a documentary, wedding, or corporate shoot.
Covering the classic standard-to-telephoto range, this lens features a constant f/4 aperture and a Power Zoom design that allows for cinematic, motorized zooms. Crucially, the lens does not extend when zooming or focusing, meaning once you balance it on a gimbal, it stays balanced. With suppressed focus breathing and a weather-sealed build, this lens proves that Nikon is serious about professional video.
Holiday Price: $2,496.95 (Regular Price: $2,796.95 — Save $300!)
DZOFILM CATTA 35-80MM T2.9 E-MOUNT CINE ZOOM LENS (WHITE)
| Pros: A true Full-Frame cinema zoom that is actually parfocal (maintains focus while zooming); beautiful 16-blade iris for perfectly round bokeh; the white polycarbonate shell makes it lighter than traditional metal cine zooms, perfect for gimbals. |
| Cons: The white finish is distinct and might not match the rest of your black rig; native E-mount (though interchangeable mounts are available separately). |
| Standout Feature: The Parfocal Design. Most “affordable” zooms are varifocal, meaning the focus shifts when you zoom in. The Catta is a true cine lens—you can zoom from 80mm to 35mm during a shot and your subject stays tack sharp. At this price point, that is a rare luxury. |
This deal represents nearly $1,000 in savings on a lens that bridges the gap between photography glass and high-end cinema optics. The DZOFilm Catta 35-80mm covers the “golden range” of focal lengths for documentary and narrative work on full-frame sensors.
Unlike rehoused photo lenses, this was built for cinema from the ground up. It features standard 0.8 MOD gears for follow focus, a 270-degree focus throw for precise pulling, and minimal focus breathing. Because this is the “White” version, it uses a durable polycarbonate shell to shave weight, making it an ideal choice for handheld work or balancing on larger gimbal stabilizers.
Holiday Price: $1,499.00 (Regular Price: $2,469.00 — Save $970!)
DZOFILM CATTA ACE FF 18-35/35-80/70-135MM T2.9 CINE 3-LENS BUNDLE (PL/EF, BLACK)
| Pros: A true Full-Frame cinema zoom that is actually parfocal (maintains focus while zooming); beautiful 16-blade iris for perfectly round bokeh; the white polycarbonate shell makes it lighter than traditional metal cine zooms, perfect for gimbals. |
| Cons: The white finish is distinct and might not match the rest of your black rig; native E-mount (though interchangeable mounts are available separately). |
| Standout Feature: The Parfocal Design. Most “affordable” zooms are varifocal, meaning the focus shifts when you zoom in. The Catta is a true cine lens—you can zoom from 80mm to 35mm during a shot and your subject stays tack sharp. At this price point, that is a rare luxury. |
This deal represents nearly $1,000 in savings on a lens that bridges the gap between photography glass and high-end cinema optics. The DZOFilm Catta 35-80mm covers the “golden range” of focal lengths for documentary and narrative work on full-frame sensors.
Unlike rehoused photo lenses, this was built for cinema from the ground up. It features standard 0.8 MOD gears for follow focus, a 270-degree focus throw for precise pulling, and minimal focus breathing. Because this is the “White” version, it uses a durable polycarbonate shell to shave weight, making it an ideal choice for handheld work or balancing on larger gimbal stabilizers.
Holiday Price: $1,499.00 (Regular Price: $2,469.00 — Save $970!)
DZOFILM ARLES FF/VV PRIME CINE 5-LENS SET (ARRI PL)
| Pros: Incredible high-speed T1.4 aperture across the entire set (25mm to 100mm); covers massive VistaVision sensors (46.5mm image circle); 16-blade iris creates perfectly circular, painterly bokeh. |
| Cons: These are substantial, heavy cinema lenses designed for professional rigs, not lightweight run-and-gun; native PL mount means you will likely need an adapter for mirrorless systems. |
| Standout Feature: The T1.4 Consistency. Most affordable prime sets vary in speed (e.g., T1.5 for the 35mm but T2.1 for the 100mm). The Arles set is a uniform T1.4 from 25mm all the way to 100mm. This allows you to maintain consistent exposure and depth of field when swapping lenses without having to re-light your scene. |
This is a career-defining investment. Owning a matched set of high-speed cinema primes is the mark of a professional cinematographer, and the DZOFilm Arles set offers performance that rivals lenses costing three times as much.
This kit includes the essential five focal lengths: 25mm, 35mm, 50mm, 75mm, and 100mm. Every single one covers Full Frame and VistaVision sensors, features standard 0.8 MOD gears, and renders a “painterly,” low-contrast look with buttery smooth background separation. At $1,700 off, you are getting a complete, high-speed optical ecosystem for the price of a single lens from other manufacturers.
Holiday Price: $7,999.00 (Regular Price: $9,699.00 — Save $1,700!)
BLAZAR LENS MANTIS 1.33X ANAMORPHIC 5-LENS SET (ARRI PL)
| Pros: A complete 5-lens anamorphic set (25mm, 35mm, 50mm, 75mm, 100mm) in a hard case; covers Full Frame sensors; fast T2.0 / T2.4 apertures for excellent low-light performance. |
| Cons: The 1.33x squeeze produces a more subtle anamorphic look (less extreme oval bokeh) than 1.5x or 2x lenses; native PL mount is standard, but adapters for E/RF/L/Z mounts are sold separately. |
| Standout Feature: The 1.33x Squeeze Ratio. This is the “Goldilocks” format for modern digital cameras. Unlike 2x anamorphic which requires a 4:3 sensor to look right, the 1.33x squeeze is designed to turn a standard 16:9 sensor into a perfect 2.35:1 widescreen image, maximizing your resolution without cropping. |
This deal is arguably the best entry point into anamorphic cinematography on the market right now. For the price of a single lens from other brands, BLAZAR gives you an entire 5-lens ecosystem.
The MANTIS set covers every focal length you need, from a wide 25mm to a portrait-length 100mm. These lenses cover Full Frame sensors and deliver that sought-after anamorphic character—horizontal blue flares, oval bokeh, and distinct separation—without the vintage headaches of softness or heavy breathing. Packaged in a rugged hard-shell case, this kit saves you $1,300 and instantly upgrades your production value to “CinemaScope.”
Holiday Price: $3,299.00 (Regular Price: $4,599.00 — Save $1,300!)
2025 GRIP GEAR DEALS:
Tired of wobbly light stands or “making it work” with bad grip gear? This holiday season, stop settling and stock up on the essentials that give you control and safety on set. We’ve found the best deals on the workhorses, from sturdy C-stands (with grip arms included!) and versatile clamps to full flag and net kits for controlling light spill, plus essentials like gaffer tape and apple boxes. Whether you’re rigging a light or securing your camera, get a grip on these deals and build a kit you can trust.
KEY GRIP TEMPLATE PACKAGE
| Pros: Essential organization for the most equipment-heavy department on set; includes a pre-built “10-Ton” truck package list; editable formats for Mac and PC. |
| Cons: Tailored for productions large enough to require a grip truck; might be more than needed for a “one-man-band” shooter. |
| Standout Feature: The 10-Ton Grip Package Master List. This is the industry standard “shopping list” for a fully stocked grip truck. Having this pre-built template saves you hours of typing and ensures you never forget the apple boxes, speed rail, or safety cables. |
The Grip department is the backbone of the set—responsible for safety, camera support, and shaping the light. Managing that much heavy steel and rigging requires military-grade organization. The Key Grip Template Package gives you the logistical framework used by Shane Hurlbut, ASC on major motion pictures.
For just $19.99, you get the tools to run your department without missing a beat. From tracking your crew and travel logistics to managing the thousands of items in your inventory with the Grip Expendable Master List and 10-Ton Package List, this bundle ensures you are always ready to build, rig, and support the vision safely and efficiently.
Price: $19.99
THE ULTIMATE KEY GRIP’S KIT
| Pros: Built almost entirely on the legendary durability of Matthews Studio Equipment; covers the full spectrum of support from tabletop (MICROGrip) to massive 24′ overheads (Mombo Combo); includes the essential “problem solver” clamps for any rigging scenario. |
| Cons: Heavy steel requires a truck and a crew to move effectively; this is professional-grade infrastructure, not a lightweight travel kit. |
| Standout Feature: The Clamp Ecosystem. A Key Grip’s value is often determined by their ability to mount a light or camera in an impossible spot. With Matthellinis (Cardellinis), Super Mafers, Grid Clamps, Chain Vises, and Quackers, this kit ensures there is literally nothing on set you can’t rig to safely. |
The Key Grip is the engineer, the safety officer, and the architect of the set’s infrastructure. This kit is a massive arsenal of steel designed to support the vision, no matter how heavy or complex. We have curated the ultimate collection of industry-standard tools, relying heavily on the “bombproof” reputation of Matthews Studio Equipment.
Price: (Varies based on selection)
Manfrotto 038 Double Super Clamp
| Pros: Two industry-standard Super Clamps permanently bonded for maximum rigidity; supports up to 33 lbs (15 kg); perfect for building grids or securing background poles. |
| Cons: Fixed at a 90-degree angle (cannot swivel), so it is designed for specific perpendicular rigging tasks. |
| Standout Feature: The 90-Degree Bond. By permanently fixing two Super Clamps at a right angle, Manfrotto has created the ultimate tool for turning two pipes into a solid grid. It eliminates the wobble and slip associated with trying to use temporary adapters. |
If you have ever tried to rig a crossbar between two light stands or secure a speed rail grid, you know that stability is everything. The Manfrotto 038 Double Super Clamp is the professional solution to perpendicular rigging.
Consisting of two legendary cast-alloy Super Clamps fastened together at a rigid 90-degree angle, this tool allows you to clamp onto tubes from 0.5″ to 2.1″ in diameter with a vice-like grip. It includes wedge inserts for clamping onto flat surfaces, making it indispensable for securing background crossbars to AutoPoles or building custom lighting grids on location.
Holiday Price: $69.95 (Regular Price: $97.95 — Save $28.00!)
Manfrotto Super Clamp with 056 3-D Junior Head
| Pros: The ultimate “put a camera anywhere” solution; combines the industry-standard grip of the Super Clamp with the precision of a 3-axis geared head; supports up to 11 lbs. |
| Cons: The 056 head is designed for static lock-offs, not smooth panning or tilting during a shot (no fluid drag). |
| Standout Feature: The 3-Axis Precision. Unlike a ball head which flops around when you loosen it, the 056 head features three independent, self-locking movements. This means you can adjust your pan, tilt, and level individually to get the horizon perfectly straight, even when the clamp is mounted at a weird angle on a roll bar or rafter. |
This is the rig you wish you had every time you needed to mount a crash cam, a POV angle, or a remote camera in a tight space. Manfrotto has combined two legendary pieces of kit into one essential bundle.
You get the 035 Super Clamp, which can grip onto any pipe, rail, or flat surface (from 0.5″ to 2.1″) with vice-like strength. Mounted to it is the 056 3-D Junior Head, a compact, heavy-duty head that allows for precise, independent framing adjustments. Whether you are mounting a DSLR to a car’s roll cage or hiding a mirrorless camera in the rafters for an overhead shot, this kit ensures your camera stays exactly where you put it.
Holiday Price: $111.85 (Regular Price: $158.85 — Save $47.00!)
Impact PortaFrame Scrim Flag Kit (24 x 36″)
| Pros: Ingenious collapsible design allows you to fit a full 24×36″ flag kit into a compact carry bag; includes a complete set of modifiers (Single, Double, Silks, and Solid) plus essential Dots and Fingers for tabletop work. |
| Cons: Requires assembly time (sliding the fabrics onto the frames) compared to rigid flags; the open-ended frames are great for avoiding shadows but are less rigid in high winds than solid steel frames. |
| Standout Feature: The Portability. Standard 24×36″ flags are notorious for being difficult to transport in a standard sedan or on a plane. This kit features folding steel frames that collapse down to fit in a 44″ bag, saving you 75% of the storage space while still giving you full-size light control. |
Lighting isn’t just about adding light; it’s about taking it away and shaping it. This kit gives you the power of a grip truck in a portable bag.
For just $149, you get a comprehensive light control system: five collapsible frames with color-coded fabrics (Single Net, Double Net, 1-Stop Silk, 2-Stop Silk, and Solid Black). But the real value is the inclusion of Dots and Fingers—the secret weapons used by pros to make precise adjustments to small areas of the frame.
Whether you need to cut flare, reduce intensity on a subject’s face, or diffuse a hot spot, this kit allows you to bring professional light shaping to any location, no matter how small the vehicle.
Holiday Price: $149.00 (Regular Price: $279.00 — Save $130.00!)
2025 GIMBAL DEALS:
Shaky handheld footage is the fastest way to kill a great idea. So, it’s time to elevate your storytelling with a stabilization system that lets your camera move. We’ve rounded up the best deals on the gimbals that will transform your footage, whether you want silky-smooth, gliding “reveal” shots or fast-paced “follow” shots for an action sequence.
DJI OSMO POCKET 3 CREATOR COMBO
| Pros: The ultimate all-in-one vlogging studio; 1-inch sensor delivers incredible low-light performance; Creator Combo includes the essential wireless DJI Mic 2 and battery handle. |
| Cons: It’s not rugged or waterproof like a GoPro; the fixed lens means you can’t zoom optically (only digital zoom). |
| Standout Feature: The Rotatable Screen. It seems simple, but the 2-inch rotatable OLED touchscreen is genius. Flip it horizontal for YouTube, or vertical for TikTok, and the interface (and aspect ratio) switches instantly. It makes switching between “cinema” mode and “social” mode effortless. |
This is the camera that killed the “vlogging rig.” The DJI Osmo Pocket 3 is a 4K/120fps mechanical gimbal camera that fits in your pocket but delivers footage that rivals cameras three times its size.
The “Creator Combo” is the bundle you want. It includes the DJI Mic 2 (a wireless transmitter that connects directly to the camera for crystal-clear audio), a Battery Handle for extended shoot times, a Wide-Angle Lens adapter, and a Mini Tripod. With its massive 1-inch sensor, 10-bit D-Log M color, and frighteningly good face-tracking autofocus, this is the most powerful portable content creation tool on the planet.
Holiday Price: $679.00 (Regular Price: $979.00 — Save $300!)
DJI RS 4 MINI HANDHELD GIMBAL STABILIZER
| Pros: Incredibly lightweight (just 1.8 lbs) yet supports a robust 4.4 lb payload; features 2nd Gen Native Vertical Shooting for instant social media format switching; includes automated axis locks for rapid deployment. |
| Cons: The battery is integrated into the handle and not swappable; the smaller form factor limits the length of lenses you can balance compared to the standard RS 4. |
| Standout Feature: The Native Vertical Switch. Forget buying extra brackets or re-balancing your entire rig. The RS 4 Mini allows you to detach the horizontal arm and mount it vertically in seconds, making it the ultimate tool for hybrid shooters who need to deliver both landscape YouTube content and vertical Reels/TikToks from the same shoot. |
Designed specifically for the mirrorless generation, the DJI RS 4 Mini punches way above its weight class. It takes the powerful stabilization algorithms of the flagship Ronin series and packs them into a travel-friendly body that fits in a backpack.
Don’t let the “Mini” fool you—with a 4.4 lb payload, it easily handles a Sony A7IV with a 24-70mm f/2.8 lens. It features Teflon-coated arms for smoother balancing, Bluetooth shutter control to eliminate cables, and a 1.4″ color touchscreen. If you are a solo creator looking for professional stabilization without the back pain, this is your gimbal.
Holiday Price: $309.00 (Regular Price: $369.00 — Save $60!)
DJI RS 4 GIMBAL STABILIZER COMBO
| Pros: The “Goldilocks” gimbal—perfect balance of weight (2.4 lbs) and strength (6.6 lb payload); Combo kit includes the essential Focus Pro Motor and Briefcase Handle; Teflon-coated arms make balancing significantly smoother and faster. |
| Cons: 6.6 lb payload is great for mirrorless, but heavy cinema zooms will require the larger RS 4 Pro; battery grip is proprietary. |
| Standout Feature: 2nd-Gen Native Vertical Shooting. DJI has finally perfected the vertical switch. You no longer need additional accessories to shoot for TikTok or Reels. Simply release the horizontal plate and secure it vertically—it’s fast, secure, and requires zero extra hardware. |
If you shoot on a mirrorless camera like the Sony FX3, Canon R5, or Panasonic S5, this is the gimbal you want. The RS 4 takes everything great about the RS 3—like the automated axis locks that let you start shooting in seconds—and refines the experience with smoother Teflon-coated arms and better vertical integration.
Crucially, this is the Combo kit. For just $609, you aren’t just getting a stabilizer; you’re getting the Focus Pro Motor (allowing you to pull focus on manual vintage lenses or cinema primes) and the Briefcase Handle for effortless low-angle underslung shots. It is a complete, professional stabilization system for a mid-range price.
Holiday Price: $609.00 (Regular Price: $719.00 — Save $110!)
ADDITIONAL 2025 FILMMAKING GEAR DEALS:
The right tools can define your unique aesthetic and streamline your time on set. This section is packed with those essential upgrades, starting with powerful post-production resources like professional LUT packs for Blackmagic and Sony cameras, plus a must-have free bundle for grading dark skin tones.
For the analog enthusiasts, we’ve rounded up the entire lineup of Kodak Super 8 film stocks to feed your new camera. On the hardware side, you’ll find massive holiday savings on industry-standard wireless lens control systems from Tilta (Nucleus Nano II & M II), along with limited-edition filmmaking apparel to keep you looking as sharp as your focus.
FREE BUNDLE: DARK SKIN TONE LUTS PACK
| Pros: Professionally crafted specifically for the nuances of dark skin tones; includes 8 distinct looks; completely free to use and share. |
| Cons: As with all LUTs, these are designed as a starting point and may require adjustment to fit your specific lighting conditions. |
| Standout Feature: Authenticity. These aren’t generic “warm” filters. They are crafted based on Gabrielle’s lived experience as a Caribbean filmmaker, recognizing that dark skin isn’t a monolith—it lives in the world of red-browns, yellow-browns, blue-blacks, and gray-blacks. |
Director and Cinematographer Gabrielle Blackwood (Grave Digger, The Black Man) has released her all-new GB LUTs Pack as a free resource for the filmmaking community, and it addresses a massive gap in post-production tools: accurate, nuanced grading for dark skin tones.
Frustrated by the lack of variety in standard grading tools—which often just apply a generic yellow wash—Gabrielle created these LUTs to reflect the true complexity of skin tones she sees in the world. This pack includes 8 specific looks: Blue Mahoe, Cinnamon, Hazelnut, Tawny, Caramel, Dark Pecan 1, Dark Pecan 2, and Dark Syrup.
Whether you are an editor looking for a better starting point or a filmmaker learning to grade, these tools help avoid stereotypes and embrace the beauty of diverse complexions. Gabrielle encourages everyone to use and share them freely—just be sure to tag her @gabrielle_blackwood in your work!
Price: FREE (A gift to the community)
BLACKMAGIC LUT PACK: URSA CINE 12K
| Pros: Created by the legendary colorist behind Dune and The Batman; specifically engineered for Blackmagic Gen 5 Color Science; includes both a “Clean” base and a “Stylized” Hollywood look. |
| Cons: Designed for specific exposure parameters (Gen 5 Film @ 800 ISO) for maximum accuracy; requires “Highlight Retention” to be enabled in Resolve. |
| Standout Feature: The Pedigree. This isn’t a preset pack from a YouTuber. These LUTs were painstakingly crafted by Dave Cole, the senior colorist of Life of Pi, Dune, and The Batman, giving you direct access to the color science used in Hollywood’s biggest blockbusters. |
Stop using generic LUTs and start using professional color science. Filmmakers Academy teamed up with Dave Cole to create the ultimate starting point for your Blackmagic footage. Designed to transform Blackmagic Wide Gamut Gen 5 Film into industry-standard BT.1886, this pack unlocks the full potential of your sensor.
You get two distinct tools: the “Pure Vision” LUT, which provides a flawless, idealized foundation for your own grade, and the “Hollywood Legacy” LUT, derived from Shane Hurlbut, ASC’s custom Sony color science, adapted perfectly for Blackmagic to give you that rich, textured, cinematic look with a single click. Don’t just grade your footage—craft it with the science that defines modern cinema.
Price: $39.99
SONY CINE LUT PACK FOR VENICE 2 & BURANO
| Pros: Straight from the set of Netflix’s The Perfect Couple; designed by an ASC cinematographer specifically for Sony’s top-tier sensors; includes a specialized Day-for-Night tool. |
| Cons: The “Strong Film” LUT utilizes a heavy contrast ratio, which demands precise exposure and lighting discipline to maintain shadow detail—it is not a “fix-it” filter for poorly lit footage. |
| Standout Feature: The “Strong Film” Analog Emulation. This isn’t just contrast; it fundamentally shifts the color palette to mimic the “Golden Age” of film stock. It shifts skin tones from digital red to analog yellow and transforms blue skies into a rich cyan, giving you that timeless, high-budget look instantly. |
Transform your cinematography with the exact tools used on major Hollywood productions. Designed by Shane Hurlbut, ASC for the Sony Venice 2 and Burano, this pack gives you access to the color science behind his work on Netflix’s The Perfect Couple.
You get two powerhouse looks: “Strong Film,” which forces proper exposure habits while delivering a rich, textured analog aesthetic, and “Day4Night,” a modern solution that creates deep, inky shadows and open midtones for shooting night scenes in broad daylight without the “flat” look of traditional conversion LUTs. This is professional color science, calibrated for Sony’s best sensors, at a fraction of the cost of a color session.
Price: $39.99
FILM CLOTHING
| Pros: Fully customizable Velcro patch system; includes two limited-edition patches (“Born On Set” & “Keep Film Alive”); machine washable and built for long days on set. |
| Cons: Extremely limited release—once these patches are gone, they’re likely gone for good. |
| Standout Feature: The modular design. The “Production Patch Hat” isn’t just a hat; it’s a blank canvas. The Velcro front allows you to swap out patches to match your mood, your department, or the specific shoot you’re on. |
Wear your craft with pride. This is an extremely limited collaboration between Film Clothing and Filmmakers Academy, designed specifically for the crew that lives and breathes production.
This bundle is the ultimate set-life accessory. You get the rugged Production Patch Hat (available in Black or Tan) plus two exclusive patches: the “Born On Set” patch for the die-hards, and the “Keep Film Alive” patch for the purists. Whether you’re rigging a 20K or grading in a dark room, this gear is machine washable, “Perfect Fit” guaranteed, and trusted by production professionals to hold up against the grind of the industry.
Bundle Deal: $34.99 (Regular Value: $49.99 — Save Big!)
Kodak VISION3 50D Color Negative Film #7203 (Super 8, 50′ Roll)
| Pros: The world’s finest-grain Super 8 film; daylight balanced (5500K) for beautiful outdoor colors; incredible highlight latitude thanks to the VISION3 emulsion technology. |
| Cons: With an ISO of 50, this is strictly a “bright sun” film—it struggles in low light or indoors without massive lighting fixtures; requires ECN-2 processing. |
| Standout Feature: The Resolution. Because it uses the same VISION3 technology as modern 35mm and 65mm motion picture film, this 50D stock offers the sharpest, cleanest image possible in the Super 8 format. When scanned at 4K, it looks shockingly close to 16mm. |
If you are jumping back into analog with the new Kodak Super 8 camera (or dusting off a vintage Canon or Nizo), this is the film stock you want in the chamber for your day exteriors.
Kodak VISION3 50D is the gold standard for daylight cinematography. It captures the world with rich, natural colors and virtually no grain, providing a polished, professional look that defies the “lo-fi” reputation of Super 8. With the legendary highlight latitude of the VISION3 family, you can shoot in harsh, direct sunlight and still retain detail in the brightest clouds and deepest shadows.
Price: $39.00 (The essential stock for your new Super 8 Camera)
Kodak VISION3 200T Color Negative Film #7213 (Super 8, 50′ Roll)
| Pros: Tungsten balanced (3200K) for natural skin tones indoors; incredible dynamic range; features the fine grain structure of a 100-speed film with the sensitivity of a 200-speed stock. |
| Cons: Requires an 85 (orange) filter to shoot correctly in daylight (otherwise images will look very blue); requires ECN-2 processing. |
| Standout Feature: The Versatility. 200T is widely considered the “do-it-all” workhorse of the VISION3 lineup. It reduces the contrast of harsh outdoor lighting (when filtered) and has enough speed to shoot comfortably indoors with practical lights, making it the safest bet if you don’t know exactly what lighting conditions you’ll face. |
If 50D is for the beach and 500T is for the night, VISION3 200T is for everything in between. It is the most versatile stock in the Super 8 arsenal.
Tungsten-balanced for indoor lighting, this stock allows you to capture moody interiors without the grain explosion associated with high-speed film. However, it also shines outdoors; when paired with an 85 filter, it renders daylight scenes with a beautiful, slightly softer contrast than 50D. With the same archival stability and scanning performance as its 35mm big brother, this is the stock that gives your Super 8 footage a true “cinema” texture—sharp enough to look professional, but organic enough to feel like film.
Price: $42.95 (The “Goldilocks” stock for versatile shooting)
Kodak VISION3 500T Color Negative Film #7219 (Super 8, 50′ Roll)
| Pros: High sensitivity (EI 500) allows for shooting in dim interiors or at night; incredible shadow retention; delivers that classic, gritty “film look” with beautiful grain structure. |
| Cons: Significant grain presence compared to 50D (though many filmmakers desire this texture); requires an 85 filter for daylight use; requires ECN-2 processing. |
| Standout Feature: The Low-Light Performance. Super 8 cameras often struggle in the dark due to smaller sensors/gates, but 500T changes the game. It allows you to shoot scenes lit by streetlights, practical lamps, or mood lighting that would simply be “black mud” on any other stock. |
If you are looking to shoot a gritty music video, a noir-style short, or just capture the vibe of a party without blasting video lights, VISION3 500T is your weapon of choice.
This is the high-speed stock that defines the modern “indie film” aesthetic. It features Kodak’s Advanced Dye Layering Technology (DLT) to reduce the appearance of grain in the shadows, allowing you to dig into the dark areas of the image while maintaining rich detail. While it is Tungsten-balanced (3200K) for indoor lighting, it is famously versatile; many DPs shoot it uncorrected in daylight for a cold, bluish “steel” look, or filter it for a punchy, high-contrast daytime image.
Price: $39.95 (The ultimate choice for low light and “moody” cinematography)
Kodak Ektachrome 100D Color Transparency Film #7294 (Super 8, 50′ Roll)
| Pros: Produces a positive image (transparency) that can be projected directly; famous for its vibrant, hyper-saturated colors and deep blacks; extremely fine grain. |
| Cons: Significantly more expensive than Vision3 negative film; has much less exposure latitude (dynamic range) than negative film, meaning your exposure needs to be perfect; requires E-6 processing. |
| Standout Feature: The “Positive” Image. Unlike the Vision3 stocks which create a negative, Ektachrome creates a positive transparency. This means the film that comes back from the lab looks exactly like the real world—vibrant, punchy, and ready to be spooled onto a projector for a true vintage movie night. |
The legend is back. After being discontinued in 2012, Kodak brought Ektachrome back by popular demand (fueled largely by its use in HBO’s Euphoria), and it remains the most distinct look in the Super 8 lineup.
Ektachrome 100D is a color reversal film, meaning it yields a positive image with high contrast and intensely vibrant colors that “pop” off the screen. It doesn’t have the safety net of Vision3’s dynamic range—you have to nail your exposure—but when you do, the results are magic. If you want that nostalgic, saturated “National Geographic” aesthetic or the ability to actually project your original film, this is the only stock for the job.
Price: $64.95 (The legendary reversal stock for vibrant, projection-ready color)
Kodak Tri-X Black-and-White Reversal Film #7266 (Super 8, 50′ Roll)
| Pros: The definitive black-and-white motion picture stock; produces a positive reversal image suitable for projection; versatile speed (EI 200 Daylight / 160 Tungsten) works well in mixed lighting. |
| Cons: As a reversal stock, it has less dynamic range than negative film, so exposure accuracy is key; high contrast means shadows can crush quickly if not lit properly. |
| Standout Feature: The “Punk Rock” Aesthetic. Tri-X is legendary for a reason. It delivers deep, inky blacks, stark white highlights, and a pronounced grain structure that instantly gives footage a raw, artistic, and “indie” feel that is impossible to fully replicate digitally. |
If you want to channel the spirit of early indie cinema, French New Wave, or ’90s skate videos, Kodak Tri-X is the only choice.
This is a panchromatic black-and-white reversal film, meaning it processes into a positive strip that can be projected onto a wall or scanned for a high-contrast digital master. Unlike the clean perfection of Vision3 50D, Tri-X is about texture and mood. It’s perfect for dream sequences, music videos, or any project where you want to strip away the distraction of color and focus purely on light, shadow, and composition.
Price: $39.95 (The timeless choice for gritty, high-contrast storytelling)
Tilta Nucleus Nano II FIZ Wireless Lens Control System
| Pros: A massive upgrade over the original Nano; the motor features 5x the torque (enough to drive stiff vintage glass); the hand unit features a responsive touchscreen interface and internal rechargeable battery. |
| Cons: The base kit only includes one motor, so you’ll need to buy additional motors if you want simultaneous Focus, Iris, and Zoom control. |
| Standout Feature: The All-In-One Hand Unit. This isn’t just a focus knob anymore. The Nano II hand unit features a crisp touchscreen that allows you to adjust lens parameters, set A/B stops, and—crucially—control camera settings (like ISO, Shutter, and Run/Stop) on compatible cameras like the Blackmagic Pocket series and Sony FX3 via USB-C or Bluetooth. |
The original Nucleus Nano changed the game for affordable focus control, but the Nano II perfects it. This is a professional FIZ (Focus, Iris, Zoom) system that fits in your pocket.
The new motor is a beast, delivering five times the torque of its predecessor, meaning it won’t stall out on stiff cinema lenses. But the real star is the handwheel. It essentially shrinks a high-end FIZ unit into a device the size of a stopwatch, complete with a zoom rocker and a touchscreen interface. Whether you are pulling focus for yourself on a gimbal or for a DP as a 1st AC, this system offers professional control for a fraction of the price of traditional wireless units.
Holiday Price: $239.20 (Regular Price: $299.20 — Save $60!)
Tilta Nucleus-M II Ultimate Kit
| Pros: A complete 4-channel system (Focus, Iris, Zoom, and Variable ND); features a new 2.4″ touchscreen with a revolutionary “Electronic Marking Disk”; fully backward compatible with previous Nucleus motors. |
| Cons: The hand unit is larger and heavier than the Nano II, requiring L-Series batteries; the advanced feature set has a steeper learning curve than the original M. |
| Standout Feature: The Electronic Marking Disk. Gone are the days of wiping off wet-erase marker from a plastic ring. The M II features a virtual marking ring on the touchscreen that saves your limits and focus points digitally, even utilizing haptic feedback to vibrate when you hit your mark. |
The original Nucleus-M democratized wireless focus, but the Nucleus-M II revolutionizes it. This “Ultimate Kit” is a comprehensive solution for professional sets, including the FIZ Hand Unit, two powerful motors, and the Left/Right Control Grips for camera operators.
This system goes beyond simple focus pulling. It offers 4-channel control, allowing you to manage Focus, Iris, and Zoom simultaneously. Plus, it has a fourth channel for controlling the Tilta Mirage Variable ND. With a 300-foot range, updated algorithms for smoother pulls, and seamless integration with DJI RS gimbals, this is a high-end FIZ system available at a massive $500 discount.
Holiday Price: $1,499.00 (Regular Price: $1,999.00 — Save $500!)
READY TO CREATE?
Finding the right gear can be overwhelming, but we hope this curated list helps you cut through the noise and find exactly what you need to tell your story. Whether you are buying for yourself or the creative in your life, every item on this list has been vetted to ensure it stands up to the rigors of production.
We want to see what you create with your new kit! If you pick up any of these deals, be sure to tag us on social media. And if you are ready to take your skills as seriously as your gear, check out our Holiday Membership Deal. Join the Filmmakers Academy community, get coached by the pros, and unlock the secrets behind the cinematic images you love.
| Bookmark this page—we’ll be updating it as new deals drop throughout the holiday season! |























































































