Shooting film remains the holy grail for many independent filmmakers — a medium that imparts a texture, depth, and discipline that digital sensors struggle to replicate. But the barrier to entry is often a single, daunting number: the price per foot. When a 400-foot roll of fresh 16mm stock costs upwards of $200 (yielding only […]
Tag Archive for: indie filmmaking
In the digital world, we often talk about sensors in terms of technical specs: resolution, dynamic range, and low-light sensitivity. But when you shoot on celluloid, you are selecting a capture format as much as you are selecting a personality. The gauge you choose — Super 8, 16mm, or 35mm — acts as a subconscious […]
How do you build a sustainable career as a director? It’s the question every filmmaker asks, a journey filled with passion, detours, and immense challenges. How do you navigate from a personal passion project to a studio feature? How do you overcome imposter syndrome when you finally get your big break? And crucially, how do […]
Blackmagic Design. The name might not have the decades-long legacy of an ARRI or a Panavision, but in the world of digital filmmaking, it’s become a force to be reckoned with. Initially known for their high-quality, affordable video editing software (DaVinci Resolve) and capture cards, Blackmagic made a bold move into camera manufacturing — and […]
The world of cinema is constantly evolving. What was once the exclusive domain of major studios with unlimited budgets is becoming increasingly accessible to independent filmmakers, thanks to companies like Blackmagic Design. The Blackmagic URSA Cine 12K Body is a powerful tool that puts cinematic quality within reach without breaking the bank. This is a […]
Filmmaker Sherri Kauk shares the challenges of shooting the ultra low budget indie film “Murder Made Easy” and how she worked with the director to nail the look for this project.
Budget-minded filmmaking forces you to solve your problems within limitations. However, given the importance of the visuals to engage the audience in the story, we needed creative control over every aspect of the film’s aesthetic.