Post Production

Technicolor’s New Picture Style: CineStyle

My last blog post was about story and not getting caught up in all the tech/gear frenzy. Now, I want to talk about [...]

Post Production

Post-Production Media Management Advice

The first step of media management is to have a place where you can backup your source files. Depending on what operating system (Mac or PC) your editor will be using, you want to format your drives accordingly.

Post Production

Editing Advice from a Working Editor – Vashi Nedomansky

The first time I met Shane was at Bandito Brothers last year, when he asked me to edit "The Last 3 Minutes." I had worked for the Banditos as a freelance editor for 3 years and had cut [...]

Post Production, Production, Sponsored

HP LP2480zx Dreamcolor: Your Eyes In the DSLR Colorspace

When I began working on “Act of Valor” I was using an Asus 17” monitor to light with. When I got into the color correction bay, I noticed that I had over-lit scenes because the monitor was not seeing what the camera was ultimately seeing.

Adobe Creative Suite Production Premium product shot

Post Production

Adobe CS5 Designed for Your Canon Camera’s Color Space and Codec

Dissent: Voicing opinions that conflict with those that are commonly accepted or officially espoused. When my Elite Team and I started blazing this trail, we had already become dissenters. We embraced a technology that in Hollywood was a joke, a fad, not viable. This is one of the great...

Cinematography, Post Production

DSLR Media Management with Mike McCarthy (Part 2)

Here is the much anticipated post-production work flow blog that you have been asking for from Mike McCarthy, our technology guru. Please visit Mike's site at hd4pc.com for even more in-depth technical information on the post-production work flow process.

Cinematography, Post Production, Production

Media Management for DSLRs with Mike McCarthy (Part 1)

I am Mike McCarthy, the Director of Technology at Bandito Brothers. I have been working with Bandito Brothers since the company started in 2006, and have been involved with projects using almost any format imaginable.

Post Production, Pre Production

Color Correction and Camera Color Balance

My first experience with the 5D DI color correction was for the Terminator Webisodes produced by the Bandito Brothers through Wonderland Sound and Vision. McG asked me to be the Director/Cameraman for these alternative marketing shorts that were going on the Internet.

Post Production, Production

Sound Technician: Gene Martin

We are so excited to feature our first guest blogger Gene Martin on the HurlBlog. Whenever I am asked about a specialty such as sound, specifically sound with the 5D, I turn to this expert to weigh in with what he feels is the best. Visit Gene's website to...

Post Production

A Workflow Every Media Manager Should Know

In the world of HDSLR technology, media management is a very important position. Every Elite Team member has held this position at some point during the untitled Navy Seal Movie to gain an understanding of HD image capture in a small footprint work-flow system.

Post Production

Technicolor’s New Picture Style: CineStyle

Post-Production Media Management Advice

Editing Advice from a Working Editor – Vashi Nedomansky

HP LP2480zx Dreamcolor: Your Eyes In the DSLR Colorspace

Adobe CS5 Designed for Your Canon Camera’s Color Space and Codec

DSLR Media Management with Mike McCarthy (Part 2)

Media Management for DSLRs with Mike McCarthy (Part 1)

Color Correction and Camera Color Balance

Sound Technician: Gene Martin

A Workflow Every Media Manager Should Know

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