Production

Arri camera on Kessler Crane's CineSlider

Kessler Crane CineSlider Performance On Set and Off

When I started the 5 week Marine’s commercial two months ago, I knew we would be in wide open spaces as well as tight quarters on the Amphibious Assault Destroyer. The project required gear that was versatile, so I turned to Kessler Crane's CineSlider. NAB was where I...

Cinematography, Lighting, Pre Production, Production

How To Film a High-Value Commercial on a Budget

Three weeks ago I was selected as the director for a national commercial campaign for Case Tractors. It would be my first solo directing gig after signing with the Bandito Brothers one month ago. In the commercial world, an advertising agency is hired by the client, which...

Cinematography, Film Theory, Lighting, Production

The Making of The Carnival Sequence from “The Last 3 Minutes”

Episode III “Carnival” was on Day two of our four day shooting schedule. This day was a very ambitious one because we had four company moves. We started at the ranch house location, moved to meadow location, then on to the main street location for the street fight.

Announcements, Cinematography, Film Theory, Lighting, Production

The Making of “The Last 3 Minutes”

Here are details from our EPK crew on "The Last 3 Minutes." With this first person perspective, it is not like a scene where you do a wide shot and then go in for coverage. It plays out like a play where everything has to work.

Cinematography, Post Production, Production

Media Management for DSLRs with Mike McCarthy (Part 1)

I am Mike McCarthy, the Director of Technology at Bandito Brothers. I have been working with Bandito Brothers since the company started in 2006, and have been involved with projects using almost any format imaginable.

Post Production, Production

Sound Technician: Gene Martin

We are so excited to feature our first guest blogger Gene Martin on the HurlBlog. Whenever I am asked about a specialty such as sound, specifically sound with the 5D, I turn to this expert to weigh in with what he feels is the best. Visit Gene's website to...

Production

Kessler Crane CineSlider Performance On Set and Off

How To Film a High-Value Commercial on a Budget

The Making of The Carnival Sequence from “The Last 3 Minutes”

The Making of “The Last 3 Minutes”

Media Management for DSLRs with Mike McCarthy (Part 1)

Sound Technician: Gene Martin

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